First whistle a low one?

I’d like to learn to play the tin whistle but I find the higher pitched whistles to be too shrill for my taste. Has anybody here ever started on a low whistle? I understand they slightly more difficult to play but I think they fit more of what I’m looking for. Is this a foolish step?

You might want to start on a low G or low F. They’re quite low pitched but considerably easier to play than low D whistles.

Perhaps not the wisest step IMO. I think you might learn more quickly with something other than a low D. On a smaller instrument you can literally play for hours without fatigue. In my early days with a low whistle 30 minutes was more than enough for my poor fingers. So, if you want lots of practice hours you might get a high whistle (or 10) in addition to the low one.

A Bb is not shrill and is easy to play. Generation make nice ones that are low cost.

I second the recommendation for a Generation Bb. I’ve found that even a C whistle is noticeably less shrill than a D.

I’ve read several accounts of people really liking their Gen Bb whistles. It seems they have a better reputation for consistency than the Ds. I do have one and it’s a nice whistle - especially for the price. I think I paid $7 - $8 for it.

The low D is harder to play, of course many will say it’s worth it. However, I also found that it started hurting my fingers and wrists after playing for 30-45 minutes. I was using the piper’s grip. The low D will probably also take more wind to play, mine does.

Not trying to talk you out of it, if the low D is what you really want to play. However, you’ll have a harder time of it, and be more likely to get frustrated.

Jason

my first decient whistle was a low whistle and, at first, it was harder to play. For me, it was just a matter of adjusting to the size, but if you have no experience with wind instrumetns of any sort, I imagine it would take a while to get used to so much breath?

In the end, though, choose whichever pitch you like most. It doesn’t make a huge difference and you’ll probably be more inspired to work at it playing an instrument you like. It’s really up to you.

Why not get the low whistle and toss in a higher one on the side? You may find the low whistle to be just fine for you, and you’ll have the higher one at the ready just in case.

I should probably mention that I’ve played the trombone for over 10 years and I’m pretty confident with breath control on my horn. Would this make learning to play on a low D less difficult or is the whistle a different animal entirely?

I learned on a Cheiftain Low D… it’s the only whistle I’ve played so far.

The low D is an entirely different animal from a high D. Learning on a smaller whistle will do little to prepare you for a low D. It’s not that difficult; it’s just different.

I have played a long scale flamenco guitar for years as well as the GHB. I had very little difficulty with the necessary stretch on the low D or the piper’s grip.

Ten years of trombone has certainly trained your breath control.

I found an interesting book; “The Low Whistle Book” by Steafan Hannigan & David Ledsam with CD. It has the info you need and de-mystifies the process. I believe Songs of the Sea has a copy: http://www.songsea.com/books.htm#WHISTLE just scroll down.

Why not? Go for it! Now you can have fun selecting your low D. Good luck, Cyril

Abe,

I’m with you - the D whistle was just too high pitched for me.

I own three low whistles - a D,G, and F, all by different makers.

If it’s in your budget, I recommend a Reyburn - not just because the tone is beautiful even when a beginner plays it, but because (at least for me) it’s very easy to play. Bouncing back and forth between octaves with few squeaks is a big plus because instead of spending all my practice time just trying to get a good tone and the right pitch from it, I’m actually learning tunes! Even my 12 year old sounds good on it. (But when played by an experienced player - WOW!)

Also, if it’s Irish music you’re going to be learning, a whistle in the key of D or G would be best because that’s what most of the tunes are written in.
Yes, you can find computer programs that transpose tunes to different keys, if you don’t mind one more time-consuming step. I was impatient to get started, so wasn’t too interested in that.

Like the others mentioned, the low D - big hands or not, is probably not the best size to start with. When your fingers, hands and wrists aren’t used to being used in that manner you get sore and stiff.

Hope that helps you.

I agree, a Reyburn would be an excellent choice for anyone.

As far as all this about sore hands. Many who started on smaller whistles and are used to using their finger tips to cover the tone holes. Their hands have developed muscle memory to play with finger tips.

Then to play the low D and other low whistles they need to adapt to the dreaded pipers grip. They have to retrain their finger’s muscle memory. Often they will try to play with their finger tips and go through all kinds of contortions that will definitely make your fingers and hands sore.

Pipers have used the piper’s grip for several centuries without getting sore hands. One can play the pipe chanter with one’s finger tips. It’s not a big stretch. They use the piper’s grip because it is FASTER.

If you want to play a low D; play a low D. Embrace the piper’s grip because once you are used to it you can be very speedy and play those jigs and reels. Some look at low D just for slow numbers. Not so. If you develop your piper’s grip and pick a low D built for speed; you will be able to play anything. Cheers, Cyril

Amen! I also started on the low whistle, a chieftain OS low D. I later tried to play “high” whistles but just didn’t like them. Cyril, I wish I could find a place to quote you on my website, that sums up how I feel about the low whistle very nicely!

There are non-shrill soprano D whistles.
Why not play one of them?
Lot easier to learn on. Cheaper too.
Really a different instrument from the low d whislte.
Also even on a shrill D whistle, there are
methods for handling the shrillness.
Whistle tutors go into this.

Just out of curiousity… Sometimes, when listening to a recording, I cannot discern the difference between a low whistle and an irish flute. Wouldn’t someone who is a fan of the low whistle be more drawn towards the flute than a high whistle?

Great question, Steamwalker. I was too embarassed to ask myself. :blush:

I don’t play flute, but I believe it’s generally harder to play, and more expensive. So, a high whistle is probably more accessible.

Jason

If it were me, I’d go about learning on a soprano whistle. D is a great choice, because most music (Irish trad) you’ll hear will be played in that key, and so to be able to play along with that, can really be an advantage to learning.

If it’s a comparison between initially learning on a low D vs a soprano D, I can’t see how learning on the low D would be easier. But I guess stranger things in life have been done…

If it’s shrillness you’re worried about, you can’t be a Generation Bb in brass.

Yes, it’s true. The key of D is important in ITM. But, it does not follow that if one states that he wants to learn on a low D whistle that he should first learn on a high D whistle.

If one starts to learn whistle on a high D, then one’s fingers learn on a high D, and one’s muscle memory is programmed on a high D. Then, when one finally starts to transition to a low D, the muscle memoery has to be re-programmed to the low D.

What does this mean? Well, if you start on the high D, you will most likely use your finger tips to stop the tone holes. Oh, then there is the matter of hole spacing. The low D is a different in many ways; length, girth, hole spacing, hole size, weight, breath requirement; it does have in common the hole number. Learning on a high D does very little in preparing one to play a low D. How, may I ask, does it prepare one for the dreaded piper’s grip and the fear of sore fingers?

You might as well say; “before you take up a low D whistle, you should first play a tuba in a polka band for a year”. :smiley: :confused:

At the risk of veering this thread off to the dreaded low whistle vs. flute argument, I’ll try to tackle this one. It can be difficult at first to tell the difference between a flute and a low D on a recording, especially if said recording has allot of effects like reverb added. The more you listen, the easier it will become for your ear to discern the difference. An added difficulty is that there are some low whistles that sound very “flutey”, ie. Copeland. The best way to train your ear is to hear the two instruments side by side live. It becomes even easier if you play one or both instruments yourself. (I’m sure a flute player would scoff at the notion of mistaking a low whistle for a flute :stuck_out_tongue: )
Finally, I do not think it is safe to make a blanket statement that a low whistler would necessarily prefer flute to a high whistle. I like the flute, but I was specifically drawn to the low whistle for it’s own unique properties and sound, not because I thought it sounded like a flute.

Let’s imagine you are low on cash, don’t like the “shrillness” of a soprano D, want something that sounds great, and something that’s not a big leap when you decide to go for a low or high whistle. This suggestion for a Bb is not a bad idea.

Get a Freeman Tweaked Bb Generation. Don’t fret, you’ll be buying a another whistle soon enough anyway - perhaps low, perhaps high - once bitten by the bug.

Have fun,