I posted this on the flute forum, but since many whistlers may consider taking up the flute, I am posting it here, too. At $250, this flute is affordable.
I just got one yesterday, second-hand, from someone on the board. I am both surprised and delighted. This is, by a long shot, the finest beginner flute available. It out-sings all the others by many degrees. Years ago, someone I knew referred to his Casey Burns flute as a “tree branch.” I had seen them, and they had looked rather thick-walled compared to other flutes, and when I posted on the board that I had heard one referred to that way, I got hammered, clobbered, attacked. Hmph. The flute looks a bit thick, but not unattractive. The embouchure hole looks strange (an almost-round hole with sanding at the sides, to taper it. I thought it would sound unfocused, as I have been playing Olwells and the like for years, but after a short lip adjustment period (about 4 minutes), I was (and am) outright amazed at what comes out of it, and how it feels. It is very different from an Olwell flute. Olwells have the classic reedy Olwell tone and basically play themselves. The thick wall of the embouchure hole makes this flute very resistant…I mean it feels as if it pushes back at me when I am blowing into it. The tone is superb! All the notes sing strongly and beautifully. The purity is remarkable. The second octave is rich, focused and sweet, perhaps more than on any other simple system flute I have played. This is shocking to me, but is, nevertheless, true. The cross-fingered (OXOXXX) C natural is THE STRONGEST (sounds just like its surrounding notes) I have encountered on any flute. I have spent a happy day with it so far and I can say that this flute makes me feel like a flute player…I get lazy on the Olwells and the like. When I play this one, it feels like, I don’t know…a relationship. I am smitten. I don’t know how a beginner would sound or feel on this, but I have no doubt that it would grow with you. Remember, though: because of the thickness of the embouchure hole, it DOES require a different embouchure than Olwells and the like. I want to mention that the Grey Larsen recording doesn’t do this flute justice. I know Grey is a great player, so it must be the compression that takes away the center of the tone. This is a seriously good flute, by any standard.