Busman whistle review after four months..

I posted a small review of Paul’s whistle when I first got it and I thought I’d share my thoughts on his tulipwood whistle again since it’s been broken in for about 4 months and my affection for it has swelled since I’ve played it alone and in different sessions over the months.

This is my favorite whistle with a somewhat distant second being the MEG. When I got it I was a little taken aback by pressure requirements. I’d say it being about triple of any of the cheapie cylindrical whistles I own. Is this good? I’d say yes. It gives you a better handle in which to bend and ornament. Together with the fairly big fingerholes it give you a lot of control. The pressure requirement does make the whistle less responsive than a generation type, however, but you can make up for it mostly with robust breath control. So there is less room for error and laziness, you have to work a little harder. The payoff is well worth it.

The tone is full and has a slight woody resonance (being made of wood it only makes sense). It’s medium loud. You can play it quietly or loudly, it’s not one of those mono-volume whistles, though when you get up to the high A and B theres only one volume which would be labeled as loud. Not too cringingly loud like, say, a Copeland’s high A and B can be. It’s also in tune which I’ve found the Copeland is a lot of the time not unless you blow the bejesus out of it in the high register. Enough about Copeland..

Visually, I polish up the ferrules and put it in the light and it’s quite a nice piece of work. There are little signs of it being handmade such as the carved out blade and holes whose edges look to be beveled by hand. It’s good work and gives it charm. It seems to be holding up; the finish seems to be holding up and the wood hasn’t cracked. It’s even survived a few heartstopping falls without any damage, thank goodness for the well placed brass bits.

I had some nitpicks, one which mysteriously fixed itself, the other being a just a bit too loose tuning slide Paul will probably be fixing soon now that it’s getting warmer and safer to ship.

Overall, if you a looking for a wooden whistle I’d say try Paul. His whistle is the less expensive than comparable whistles (abell, thin weasel) at $200 and he’ll work with you to customize it. It takes about a month, at least for me, to master the differences in playing but it’s worth it.

Nick

I believe there are some of us who are quite simply “wood junkies”…I LOVE my Busman, too, and it is my second favorite whistle at the moment! ( Rose, #1 ) The more you play it, the better it sounds! You are right about the large tone holes, a feature that I particularly like. All around great whistle!

Mary

Nick,

I don’t know what your experience will be but I also had some problems with the back pressure. At times it was just right while at other times I thought I would have a stroke from having to blow so hard. Mine also had some play in the connection. I finally made the male end a bit bigger (I know that will probably bring some teasing but that’s what I did) by using some closed needle nose pliers inserted in the end to carefully expand it. Now the fit is very tight and the whistle is very consistent in not requiring the excessive pressure. It’s very very nice. I tried using silicone grease to seal the two parts but evidently that was not enough.

BTW, I got this whistle second hand and then was contacted by Paul who congratulated me on getting a good deal and told me to contact him if I had any problems. And this for a whistle for which I was not the orignal buyer. Paul is first rate and eventually I’ll be buying another whistle from him in a different wood.

Paul hasn’t posted lately. He might be an Anybody. Or mabey Nobody.

Excellent review, Nick. I agree with all your analyses. I find an oddity concerning the needed breath pressure. I play two brands of metal whistles that need very little pressure. When I pick up my Busman - my one and only wooden instrument - I find it only takes me a minute or so to adjust. The Busman plays so well within its own parameters, that I never forget and ‘underblow’, and the like. I like the difference, and the sound is truly marvelous.

Best.
Byll