Hi all. Nate Banton and myself have been hard at work over the last year developing a contrabass drone (an octave below the bass drone) for Scottish bellows pipes. I’ve recently finished my new personal set, which has five drones in total including the contrabass. I recorded a few tunes on the set the other day, which can be heard here: https://www.youtube.com/watch?v=nlSkWHelws4&feature=youtube_gdata_player
Suh-weet! I, for one, commend the notion of cherry-picking elements from the uilleann evolution, and back-porting them to more Scottish-sounding pipes. I love the UP, but it’s a big world, and our instrument is not the be-all and end-all of bellows-blown pipes.
And it isn’t like modern (sic) UP are that much like UP made 150 years ago, anyhow, nor should they (all) be. Power to you, and congratulations!
Thanks for the kind words, all. The air is one of my own, and the reel that follows it is a nameless tune (#46, I think) out of the 19th century “Celtic Melodies” collection, which you can find over at Ross Anderson’s page: http://www.cl.cam.ac.uk/~rja14/music/
I’d be lying if I said that my own music wasn’t influenced by uilleann pipes and piping, but I grew up playing Scottish music on Scottish pipes, and the sound and repertoire of instrument is really my first language. I’m lucky enough to be making a living by playing and making Scottish bellows pipes, and the intersection of the crafts of musician and maker has been partially one of developing new or improved facets of the instrument to meet my wants and needs as a working musician. Modern Scottish bellows pipes are heavily reinvented versions of historical instruments, and I see no reason why the reinvention should halt now. There’s certainly more to be done on that front, and we’re hoping to be rolling a few more things out of the shop in the next few years.