I just bought an Overton soprano D second hand. It is my first high-end whistle, and I am excited to no end. (My wife had to get very firm with me last night to put it down…) Now I have a couple of questions/observations:
-
My Certificate of Authenticity (how cool is that?) is signed by Bernard Overton, not Colin Goldie as I had expected. Does that mean the whistle is older than I had thought? I know nothing about the whistle’s history. Are there views on differences between Overton Overtons and Goldie Overtons?
-
I am surprised by the difference in air requirements between the lower and the upper octave. Strikes me as different from my Feadogs, Waltons, Generations. For such a cute little whistle it takes a lot of air, especially above the g.
-
When I play fast (well, faster than my customary plodding pace) I notice that I have to press my fingers down on the holes more than I do with cheapies, but that the result is much crisper and more defined. I may imagine this, but I seem to almost hear a “plop”, a clear definition to the tones just from the fingering (no tongue). The edges of the holes are quite sharp (but not uncomfortable). Does anybody know whether there is a connection between, I don’t know… wall thickness, hole sharpeness and plops?
Sorry, gotta run and play Kid on the Mountain on my new Overton again. Love those rolls with plops.
Thanks,
B
[ This Message was edited by: Bloomfield on 2001-10-16 09:42 ]