One of my all time favorite tunes is the russian По́люшко-по́ле (Polyushko Polye), it is of course not written for a whistle, but…
…Is this tune playable on a tinwhistle at all? By moving and changing things?
Oh sure, it’s playable. This particular transcription is effectively in Bb minor, despite the key signature that makes it look like Bb dorian.
If you don’t need to preserve the concert key … Mentally substitute a key signature of 2 sharps instead of 4 flats. Ignore the the Gb accidentals, and change the A-nat accidental to A# (to be cross-fingered or half-holed). And voilà: just play it as written on a D whistle. It will come out in concert B minor and sound fine. So:
Nope. The simpler analysis is that it’s a conventional i - iv - V - i harmony that ends on a hanging V cadence, which is resolved back to i on the repeat.
MTGuru, many many thanks for this extensive response.
As a relatively new whistle player I wouldn’t have been able to do this on my own.
I will try it on a D whistle later today (otherwise they will go crazy at work )
EDIT: how do I crossfinger a A#? I know how the half holing technique.
Is there a crossfinger chart?
In my experience A# is usually half-holed using an XDO OOO fingering, where X is a covered hole, D is a partailly covered hole and O is an open hole.
You can also try to use a cross-fingering of XOX XXX which works better on some whistles than others. It may come out sounding too flat on some whistles.
Since the idea is to flatten the Bnat you can try any combination of holes covered below the open TH2 hole to see what works best. Try XOX XXO or XOX XOO and other combinations.
Half-holing always works. Half-holing is a useful skill to develop. So if you have not done that already use this tune as motivation to do so.