Of course, if you’re a user who wants to gimme some knowledge, too, I’ll be most happy to listen!
I’ve been struggling with window proportions recently. There seems to be a wide variation in what works, and what doesn’t work, and how well. Over the past month, I’ve been reviewing my heads, and as a result, did a complete redesign based on my own ideas, plus a design I got from Stacey O’Gorman of Alba, and some ideas I noted in my Busman that I liked. (Both Paul and Stacey know about all this - no question of “theft” of intellectual property.) Anyhow, here’s what I’ve come up with - it gets real measurement-oriented here, so bear with me…
The new head was prototyped in a new model of the Polly, for the sake of simplicity. (you can see a picture of it here: http://www.serpentmusic.com/development/brassypolly.html - the beak hasn’t been cut on these). When Stacey saw the pic, she mentioned that the opening looked too long, and would make the octave shift more difficult. Here are the original measurements I used:
Tubing OD = 0.625
Tubing wall thickness = 0.070
Nominal ID = 0.485 - variations +/- 0.005
Embouchure slot length = 1.25"
Windway width - 0.25
Blade angle approx. 32 deg
With fipple plug installed, and the bell end of the brass collar parallel with the end of the plug, my original window opening from the end of the fipple plug to the bottom of the blade curve, was 0.375.
With those dimensions, I got a fine bell note, good response in the initial octave shift, – BUT – you have to really “lean into it” to go into the top of the 2nd octave, and low end of 3rd.
I finally settled on a window opening (lengthwise) of 0.30, which seemed a good compromise. Shorter, and the bell note gets really “difficult”, longer, and the upper end suffers.
To my question (finally - whew!):
Is there an equation that anyone knows about, for calculating this stuff based on all the above variables, and the range of the whistle? There almost has to be, but I can’t find anything at all!
TIA, hopefully,
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serpent