Just wondered why one would want to have one, since tunes are almost always played using a D flute? J.
For fun and the rare Eb session.
To continue in my futile efforts to keep up with Liam Kelly and Dervish. That’s why I’d want one.
Supposedly they’re easier to play than the D flutes.
So you can play along and learn the Eb flute tunes on the WFO CDs. ![]()
Doc
I think they speak a bit faster in the articulations than a D flute, plus they probably take less air, might be good for band work…
ditto on all… and if anyone has one they want to give me, don’t hesitate to email. ![]()
Me too.
I’ve never played an Eb flute,but having played Eb whistles,the key sounds amazingly ‘brighter’ than the key of ‘D’.
Apparently Eb flutes take less air than a ‘normal’ ‘D’ flute- Micho Russell chose to play one in his latter years.
And of course,Matt Molloy’s solo album was recorded using an Eb flute.
I am selling an Eb keyed Radall Carte flute and a Hawkes and Son Eb piccolo on eBay, both have simple system fingerings. They both play well, but I find I seldom play them any more.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&rd=1&item=3778060068
Chris Roberts
I’ve never played an Eb flute, but I play my Eb whistle more than my others. It is much brighter, and is a little easier to play. And Eb is a fairly common key, even in some sessions.
Max
I think when I buy my first non-D flute, I’ll get an Eb.
I have one of these: ebay #3778221134 and its a great flute for the money, and a great way to get into the simple system keywork, the key’s are not that bad, I have the flute always assembled, and when I’m working on a tune that uses keys, I pick this flute many times during the day when I have a moment, and work on the tune, later on I play it on the D flute.
Because Bb is the relative minor. Otherwise you’d have to add a low Cnat key to play bagpipe tunes on a Bb flute. Sure, Bb fifes have them but they’re too bloody shrill.
Cheers,
Aaron
Me too! The footjoint was a little wobbly on mine but easily fixed. Cheap as a cheap thing and good fun too. I also have the Allan Eb keyless. Not sure I’d agree that they take noticeably less air than a D though.
To play along with Frankie Gavin’s wonderful flute CD which I have just rediscovered, and heartily recommend to you all. There is something very engaging about his tone. I mentioned this when Onkel (whose playing I love!) posted his Bb clips - when playing in the upper register there was a very strong low-register overtone (undertone?). Well, the same goes for Frankie Gavin’s Eb playing, the upper register is still full of low register tones. Hmmm - does that make sense to anyone? If not, just buy Frankie’s CD - you’ll love it!
Graham
yeah John, the tone definitely does it for me…not least of which has been influenced by Molloy’s solo album, many gorgeous tunes on various Jean-Michel Viellon recordings (with and without Kornog), and Flook as well.
I’ve played my friend’s Olwell Eb (a separate midsection for his D flute), and ditto to all the above, crisp response, less air - just fun. Like driving a Porsche through twisty canyon roads.
Also, though I’ve never played at one - the potential for Eb session would be a fun thing to partake in should some fiddlers wish to tune-up ![]()
Cheers,
- Ryan
Hey, you’re still there! Or are you writing from Utah? Uh-oh, I’m busted! ![]()
BEYOND THAT, I wondered about those flutes. Thanks for the recco; for the price it’s pretty darned hard to beat.
for a french guy, an Eb flute is useful to play in a breton band, where the bombard and the biniou-koz are generally in Bb. (Actuyally some bands play in G)
It is also good for scottish music.
Thanks for the tip! I loved the few flute/flutified tracks on “Fierce Traditional”, so I’ll give it a go. You’re right – his tone is truly unique. Like a knife-edge.