Like a lot of people that have played trad. music for a while, I’ve kinda gotten curmudgeonly and gravitated toward the deep end of the trad pool…When I was 17, Solas’s first album blew my world apart; now, I still think they’re damned talented, but they make me nauseous and bored after two minutes…
If we’re talking strictly gateway bands/musicians that are actually good (i.e., talented musicians that people with little or no previous exposure to traditional music could potentially sit through without thinking it was totally pants), I would say the following (and I am going to include both Scottish & Irish music here):
Julie Fowlis Band
Croft No. 5
Bua
Téada
Martyn Bennett (RIP)
Iarla Ó Lionáird
With the exception of the Croft boys (who I’m not totally crazy about, but they’re just a lot of fun anyway), these are all people who I feel have realized that, by and large, relying on heavy amounts of newly composed, all flash and no substance syncopated tunes combined with instantly-dated-sounding backing (Capercaillie, anyone?) is in all likelihood going to make you sound musically naive and overly desperate for acceptance. I think Julie Fowlis epitomizes a new approach: her music is not very dressed up at all; it’s just damn good songs, not overly-arranged, and performed by talented people, and it’s gotten her a lot of much-deserved mainstream attention. Martyn Bennett’s and Iarla Ó Lionáird’s albums continue to blow away many people that I play them for who otherwise would have zero interest in listening to traditional music. I recently played some of Iarla’s stuff for a friend who’s a big Sigur Ros fan, and she was floored by it. Again, they take a much different approach to presenting traditional and traditional-influenced music from, say, Flook, or Michael McGoldrick and co., but it’s much more interesting and complex to listen to, and in my opinion, a whole lot better.
As for bands in general that may or may not be aiming at “gateway” listeners, I would second the praise for Bua. I recently got to meet their singer/concertina player Brian Hart, and was deeply impressed. He may be American, but his knowledge of Irish and the singing culture of Connemara was seriously the real deal. He sings with a degree of linguistic and cultural fluency that I dare say surpasses that of certain Irish-born singers (I won’t name names, but I get the sense with a few people that when they sing in Irish, they’re not 100% aware of the meaning of the words that they’re singing).
Okay, I suppose that’s enough of a divisive, curmudgeonly rant for now…