I have just aquired a nice 8keyed flute by W.Wheatstone, pesumably in cocus (although the grain looks very much like rosewood).
Having trawled through several books on flutes I have come up with few references to William Wheatstone or his flutes. Exhaustive searching of the internet has so far yielded a reference to Jack Coen playing one, but that is it.
Anyone out there got any info?
Anyone else out there got a Wheatstone (not a concertina!)?
Jack Coen does (or did) indeed play a Wheatstone flute, not in the greatest of condition when I saw it a few years ago. Itās the only Wheatstone flute Iāve ever seen.
I think their reputation for concertinas deservedly overshawdowed their reputation for flutes. Not that the flute Jack was playing was bad, just not particularly stellar. He was considering switching to an old German flute.
William Wheatstone , born Gloucester 17th August 1775 ;d. London 1854 .
Father of Charles, the inventor of the concertina ,and his brother William ( 2 ). Listed as player , teacher , flutemaker ,inventer of the famous patent flute mouthpiece .Joined the business established by his sons around 1830
What pitch does the flute play at ?
With the tuning slide right in the pitch is too high for my rather limited tuner to cope with. It plays at 440 with the slide out about 5/8 of an inch; if that helps. The embouchue and tone holes are quite small (for an 8key).
I have taken a few pictures of it but hve no idea how to put them on the forum. I will work on that[/img]
I recently purchased the album āTraditional Irish music on Flute and Guitarā by Jack and Jimmy Coen,via Custyās.On the sleeve photos,Jack is shown playing a Blackwood keyed flute which has two HOSE CLIPS on the headpiece,either side of the Emb. hole!
Is this his Wheatstone?
The album is dated 2001.
Incidentally,I really like Jackās playing,though I donāt think that this album is in the same league as cracking āThe Branchlineā album that Jack recorded with brother Charlie in the 70ās.
Jackās well into his 70s now, so his playing is certainly not what it once was. But last time I saw him (two or three years ago) he was still getting a powerful sound out of his flute, with a rock-solid rhythm, and his memory for old settings of tunes was remarkable.
Jack had a big influence on me, even though I only spent a week learning from him. When I met him I had been playing for 10-12 years in a heavily Matt Molloy-influenced style of playing, very fluid and full of ornamentation. My playing became much simpler and more melodic after spending a week with Jack Coen. He taught me the value of leaving things out, and of focusing on melody rather than ornamentation.
Something , perhaps,like the attachment shown by Kevin M with his newly arrived Haynes flute , I seem to remember from a long time back seeing such things .I must search the catalogues .
Would you believe Iāve never even looked at that gizmo since I received it last saturday-in fact its still wrapped up in a roll of bubblewrap!
I must have a look at it tomorrow.
I was interested to read that these ātrainersā were used by newby fifers during the American civil war,as this sort of ties in a little with the possible age of the Haynes flute- 1862 onwards (probably quite a bit onwards!).
I wonder if the flute and training gizmo are contemporary?
So, can anyone find a picture of the Wheatstone Patent Mouthpiece? I have searched the web but can only find the occasional mention. I was at the Horniman Museum the other week, I bet they have one. Bit far to travel thoā.
Anyone in Britain, its well worth a visit. How many flutes can you fit in one room! Oh and guitar things made from armadillos.
I looked at that mouthpiece today-itās quite robustly built (cast metal windway).the thing is hinged to fit onto the flute,unfortunately itās missing the screw which holds it in place.
I couldnāt see any name or makers symbol on it.
Last I saw Jack, he still uses that flute; every time he thinks about changing flutes, he eventually comes back to that battered, barely-held- together plumberās dream of a flute. He told me that it suits his āpointy little fingersā. I think the German flute you mention is the one he sold me a few years ago. He told me at the time that he was considering using it as his main flute, but it didnāt take. Much heavier, and too many keys heād never use, I think.
I agree with you that the Wheatstone is not a particularly great-sounding flute, but it certainly works for him; this is the same flute he used on all his recordings, to my knowledge. He has a very unique grip and embouchure, and heās pretty comfortable with this flute.
Gordon
Can I take it then that Jacks flute, like mine, has pretty small tone holes?
I am slowly getting her back into playing condition after many years gathering dust in a cupboard. She will never be a ātune cannonā but plays very sweetly and easily.
I was working on this myself Andrew. There is a help topic in the FAQ about this. The basic jist is that you need to float it on the web somewhere and link it to this page ??? I fear I am a bit of a Luddite at heart and it all went a bit over my head. Would be great to see the picture though!
No, It simply has a circular clamp with a screw(missing) opposite your mouth,when it was attached to the flute, to allow the gizmo to securely grip the flute head when in use.
Absolutely right. It is not a large holed flute, and therefore does play easily; I wouldnāt have described Jacks tone as sweet, but thatās Jack and not the flute.
Gordon