Tunes for testing whistles

Hello Folks,

After viewing the Inexpensive Whistle Poll Results, I decided to give the cheaper whistles another chance. So I purchased a Clare D, a Sweetone D, and a Sweetone C. I currently own a Susato VSB D and Chieftain D.

I wanted to find a tune that would give the whistles a good workout. I picked out the tune Harvest Home. Out of all the D whistles I mentioned, the Clare D past the test. I found it to be very responsive to the tune and IMHO… a very refreshing whistle to play. Light weight, really comfy in my hands. The only drawback is the C natural. Looks like it’s time for me to seriously consider learning half holing.

What tunes do you folks use to test out your whistles?

And on a higher ended whistle what ones compare to the clare whistle in lightweight and responsiveness?

Laura

Hi Laura,

I don’t normally use a specific tune to test out whistles. Normally I would just start of with a scale to check for no screachy top notes or weak/sensitive bottom notes, test out the ornaments that I usually use to see if the whistle lends itself well to these (response-wise), and probably play any tune that comes to mind to get an overall feel of the whistle.

However if I were to pick a specific tune to test whistles on, I’d probably choose a tune with octave jumps, “rocking pedal” phrases and preferably one that I play with more ornamentation. Something like “The Gravel Walk” or “The Morning Dew”.

On 2002-04-26 08:29, hillfolk22 wrote:
And on a higher ended whistle what ones compare to the clare whistle in lightweight and responsiveness?

Laura, is this another way of saying “Is there a whistle that costs a lot of money that will play as well as the one I have which costs almost nothing?”

Interesting question. I haven’t found one, by the way, and if I did I’d have to ask myself what I was gaining from the deal.

With regard to specific tunes for testing whistles, I find that the top end of the whistle’s range is what sorts out the sheep from the goats.

If a whistle is otherwise satisfactory, I always try the third part of the tune “The Longford Tinker”. Four bars of that tell me what I want to know.

On 2002-04-26 11:15, StevieJ wrote:

On 2002-04-26 08:29, hillfolk22 wrote:
And on a higher ended whistle what ones compare to the clare whistle in lightweight and responsiveness?

Laura, is this another way of saying “Is there a whistle that costs a lot of money that will play as well as the one I have which costs almost nothing?”

ROFLMBO!!! Yeah! That is a goofy question! What can I write to top that? WHOA? I guess. Actually I was just curious. Please correct me if I am wrong. (which no problem, someone will :smiley: :wink: ) On the high ended ones, are the tubes made from just the heavier weight materials? Like aluminum and heavier brass? I have only been exposed to the cheaper ones, the plastic ones, and then the alumiunum chieftain. Is the Sindt whistles of the lightweight tubular class?

I know, 80 v. 12 dollars…

As I mentioned before the C natural is a little off on the clare that I have. Is it like the generations, one out every so many is the one for you?

Laura

C Naturals are -always- off, in my experience, which isn’t all that great, but I do have a severe case of WhOA, so I have bunches of low-end whistles… anyway, try finger your
C natural as:
OXO OOO
OXX OOO
OXX XOO
and the highly-recommended by some teachers
‘forked’ fingering,
OXX XOX
and its alternate:
OXO XOX
and if none of those are close, try checking
out the tinwhistle fingerings research institute diagram for more options…

Oh, and breath control can vary a note a good quarter-step in either direction, generally, so you could try to change your breathing patterns, but I find that really hard to do… there’s a kind of natural increase as you go up and changing that is hard.

–Chris


EditPS: Of late, I’ve been using foxhunter’s jig to test instruments, because it spends lots of time in both octaves and hits pretty well every note. Of course, I play a few scales and another tune or two also, but it’s a good exercise.


[ This Message was edited by: ChrisA on 2002-04-26 15:17 ]

I ALWAYS test ALL my whistles with cliffs of Dooneen. It’s the only tune I EVER use to tell me what I need to know about ANY whistle.

Why? Because it’s the only one I can play without reading the music :frowning:

Steve

On 2002-04-26 16:23, StevePower wrote:
I ALWAYS test ALL my whistles with cliffs of Dooneen. Because it’s the only one I can play without reading the music > :frowning:

LOL! Aw, Steve!

I often use Banish Misfortune. It has (the way I play it, anyway) both C sharps and C naturals, so it gives a good sense of whether a whistle plays a passable OXX OOO C natural. Plus it’s a good-sounding tune that I’m able to play without embarrassing myself in a crowded folk-music shop.

Re your more recent question, I haven’t played a high-end whistle that both sounds like a Clare and is as light. I have a Sindt coming in late summer – they’re supposed to be very light and have a pretty faithful Gen-style sound. The Burke wide-bore brass has a sound not unlike the Clare, but is quite a bit heavier. The Burke AlPro is a little clearer sounding, but is about the same mass as the Clare. They both have very good two-fingered C naturals.

Charlie

On 2002-04-26 16:23, StevePower wrote:
I ALWAYS test ALL my whistles with cliffs of Dooneen. It’s the only tune I EVER use to tell me what I need to know about ANY whistle.
Why? Because it’s the only one I can play without reading the music > :frowning:

Steve

I think he’s got a good point there. If you test a whistle with a song that you know very well, (memorized) then it’s more likely that you are “listening” to the whistle itself. I think that makes it easier to evaluate. I have a small collection of test tunes, actually (in fact, Harvest Home is one of them) and if a whistle has trouble with any of them, that’s when I do the scales thing.
Mary

Many thanks to all of the replies.

And also thank you for the test tune selection ideas.

If I ever find myself surrounded with a large selection of whistles to choose from I will have a few more tester tunes to try them all out with.

Happy Whistlin!

Laura

My whistle testing tunes (because of what I experience as those good for a full range of notes, responsiveness and emotiveness, ornamentation,etc.):

Danny Boy (mostly for the high b)
Si Beg Si Mor
The Rolling Wave (aka The Lonesome Jig)
Cis Ni Lathain
The Ashplant

Philo

I’m surprised nobody has suggestetd Carrickfergus. In the version I have (key of G), it ranges all the way from low E to the second-octave C-natural with “drops” from C-natural to low E, which demonstrated irrefutably how poorly my Gen D responded in the low register. It’s also my “practice till you hit those high notes” piece.