Those were the days

Hi there,

Started playing whistle when I was 14 (34 years ago)

I got one while on holiday in Devon, a Generation Eb, then a Bb a few weeks later.

At that time, choices were Gens & Clarkes. Hohner, actually made an all metal non tuneable Bb which clogged badly.

Always preferred the Blue top Gens.

Picked up tunes through old tunebooks my Grandmother had
ie 120 Irish tunes arranged by mcdermott, cost about a shilling.

Other books included Sullivans Irish Banjo Book Vol 1 and a book
of Irish tunes arranged by Pat McNulty (Rutherglen, Glasgow) Published 78, 79

I have, I think two editions reprints of McNeills 1001

I also collected tunes from the Caledonian, Strathpey and Reel society as well as sessions.

What is different to nowadays?

We had Gens and Clarkes, you had to make them work for you…and we did… we tweaked them ourselves.

Learning, we learned slowly to get breathing, phrasing, technique etc but we also learned at speed. We listened as well.

I think there is an overdependancy nowadays on slowdowner programs etc. IMO

I think attitudes are different… in a negative way… hero worshipping..
egoistic… judgemental.. IMHO

Traditional music` is less family orientated. It used to be that we could entertain ourselves all night with songs and stories. It’s what we wanted to do.

Sessions have changed as well, unfortunately for the worse IMO
Again it’s the people who have changed or expect different things.

I think it’s a case of too many cooks spoiling the broth in many cases.

Give me the good old days anytime!

Cheers
pkev

In high school some local musicians, the Dady Brothers (http://cdbaby.com/cd/dadybro) came to our school to give a performance of Irish music on the whistle.

I was so impressed with their antics I decided to buy one myself.

Of particular note (no pun intended) was one tune where one brother blew the whistle and the other brother stood behind him and dealt with making the notes, and another tune where one of the brothers played two whistles at once - through his nose. They certainly knew their audience.

later, also in high school, my English teacher played some records of Irish music for us - Clannad and the Boys of the Lough. I was hooked, and managed to get a copy of the records put onto tape. Listened to it for years.

No they’re not! :swear:

I haven’t heard your story yet Adrian?
maybe you can liven it up?

One of the things that’s different for me is that I now look at my 4+ foot shelf of trad tunebooks, and think "95% - or more - of those tunes are probably in JC’s tunefinder. Why do I keep moving them from place to place?

Well, your introduction to playing whistle is certainly a better and more exciting story than mine.

Being Irish and having been a touring musician a good portion of my life, I’d always loved the music and instrumentation but just never jumped into it. Then several years ago while channel surfing I was taken aback by some incredibly beautiful women playing music that sounded very “Irish”. It was a “The Corrs Live in Dublin” MTV special. I NEVER watch MTV, but…good Lord…these women were gorgeous and playing some great music, so I was glued to the TV. I’d heard their hit “So Young” and liked it, but had never seen them. Aside from the pleasant visual, I was also taken by the music and obvious talent of this musical family. After watching Andrea playing whistle, I decided I had to learn how to play. Whatever the inspiration was…the beauty, the music, or both, I was hooked. It came on again, I recorded it, and must have watched it every day for the next few months.

So I started calling all over town to find a whistle. I didn’t even know what key to buy. None of our music shops sold whistles, then one of the last calls I made…Books-A-Million of all places sold Clarke Sweetones. I didn’t know Sweetones from Schweetones, so headed to Books-A-Million. They had them on display in colors and in two keys, D and C. So for $3 each, I bought two of each key. I remember being pretty excited about finding and now owning four instruments I’d only seen played in videos or on TV.

After getting home, I remember searching online for whistle tutorials and found a a few that were very helpful. I drove my roommate and her cats completely nuts for the next few weeks while I attempted to learn to play. I actually picked it up fairly quickly and began the Whoa syndrome, ordering a few more whistles from Thom Larson at The Whistle Shop. He was also a big help and spent some of his valuable time with me on the phone talking about technique. I’m a graphic designer by profession, so Thom asked me if I’d be interested in helping him with his band’s logo design in trade for some whistles. I agreed, and in turn he sent me two complete sets of Generations in both brass and nickel. All of a sudden I had a ton of whistles.

I remember my roommate hearing about a special Irish concert at the University put on by a local group, so naturally I went. That was my first connection with actual players I could interact with on a local level. When they finished, I spoke with one of the whistle players and she invited me to join the gathering (they didn’t call it a session) that took place each Tues evening, so I did that for about 2 years. There were some fine musicians in that large 20+ member group and with their help I really excelled on whistle in that time.

Soon, I was invited to join the few who did the actual pub session afterwards at Finnegan’s just down the street. As a guitarist/singer for *^&&^ years (we won’t count the years), I started playing guitar at the sessions as well as whistle. After about a year and learning DADGAD tuning, I was invited to play guitar and whistle, as well as sing in a band that four of the best musicians were forming. These guys are the cream of the crop on fiddle, mando, low and high whistle, banjo, and bodhran, so I felt honored to have been asked to join them. They’d all been playing Trad music most of their lives and know a TON of tunes. We named the band SlipJig and I was part of it for just over two years. Our biggest accomplishment was opening a concert for Gaelic Storm and it went great.

But I left SlipJig to become a duo with one of the best Irish fiddlers/bouzouki players in the area, Larry Lynch. We gigged for about three years then he went through some family problems, I moved me mum here from Florida to take care of her, so we took some time off. We’re now starting it back up and adding a bodhran player with great harmony vocals, as well as an Uilleann pipe/whistle player.

So what began with a chance MTV special has turned my life around. I’m also learning Irish Gaelic when I have time. It was all meant to happen and isn’t it great how the Good Lord works. :smiley:

DC

Ballyshannon-
Did you play with these guys?
http://www.myspace.com/slipjigband

I recently ran across their page after discovering there was, indeed, a session in Huntsville. I hope I can make it up there one day.

Short version:

My late father-in-law brought me a Clare D, brass body, green head, as a souvenir of his trip to Ireland, back in 1987. My wife and I were living in Tucson at the time, and I had recently been inspired by some of the NAF recordings of John Rainer, Jr.

Started diddling with the whistle, playing some familiar tunes and hymns, and seem to have gotten hooked…

Mark

Thanks for the link

Slipjig sound great! :slight_smile:

Sure did…for nearly three years. Look on the Gallery page and I’m the one on guitar in the photos at the Gaelic Storm concert. http://www.slipjigband.com/ click on the Gallery link at the top of the page. The guitar is a 1970 Guild Paul Simon F-30R but am now using a Martin OM 16 in DADGAD tuning. During the time of that concert I was still in standard tuning. Once going DADGAD, I can’t go back! On the Sound & Video page, I’m playing guitar and singing on “Down by the Glenside”, and guitar on Hardiman the Fiddler. http://www.slipjigband.com/ click on the Sound & Video link at the top of the page. I play whistle on Far Away/Binkie Brae but they haven’t activated that link yet. When I left the band, we were in the process of doing the CD, and they decided to use some of the tracks I’d done to get the CD out.

I hope you can make it to one of our sessions. We have a great time and have developed a big audience at Finnegan’s over the past several years. We’ve enjoyed some excellent musicians from all over the world who’ve sat in. All the guys in SlipJig and I are still close friends and we’re all there every Thurs night starting around 7:30. Hope to see some of you there.

Sláinte,
DC