There is a lovely ornament that I have heard in the playing of three great tin whistle players: Mary
Bergin, Donncha Ó Briain, and Breda Smyth. I call it a shake. It is an alternative to the crann on
the second D.
To play a shake you use a special fingering for C-sharp by covering the B1, B2, and B3 holes. To
get from there to the second D you simply add the T2 and T3 fingers. These two fingers are in
motion as a unit when playing a shake.
The shake is a four-note ornament consisting of three very rapid ornamental notes: C-sharp, D, Csharp
again, and then the principal note of D. It begins right on the beat. My symbol for the shake
appears below.
Cool!!.. but I don’t understand nothing!! Grey Larsen explain a little confused… some post other explication mm very easy??
it’s not stated here but the shake replaces two eight notes on Mary Bergin’s vesion of Old Joe’s Jig. It’s the second measure of the B part, beats 4 and 5 (6/8 ), shake on high D then go to an E. You need to either see the music or hear it.
My bigger question is where are you able to access Grey Larsen’s copyrighted material online?
Those notes are indistinguishable from a double cut / short cran on vented d. Like this:
oxxoxx c#
oxxxxx d
oxxxox c#
oxxxxx d
In fact, listening closely to Mary’s recording of Old Joe’s (Feadóga Stáin 1, Track 7), I’d say it’s more likely she’s playing the double cut. You can tell by the quality of the c# on her Gen F. The note is darker and flatter with the oxxoxx / oxxxox fingering than it would be with the oooxxx of the “shake”.
So I wonder if Grey is just inferring from recordings, or if he knows for sure when a shake is being played? IMO, the double cut is much easier and smoother to execute, especially if you’re used to cranning Ds.
They sound very similar, just Mary’s has a lot of reverb and i had to repitch
Grey states that this is played using…
xoo ooo
xxo ooo
ooo xxx
oxx xxx
ooo xxx
oxx xxx
But it seems to me to be simpler to play it thus…
xoo ooo
xxo ooo
oxo xxx
oxx xxx
oxo xxx
oxx xxx
Difference is obvious in that this way the second finger stays where it is thus facilitating a quicker and cleaner transition into the shake from the “a”