OK, so this is my first post to this forum, and I hope it’s the right spot for this. I’m working on a new reel (for me anyway) called The Scholar, and am wondering if anyone happens to know the history of the piece? Meaning, is it trad. or modern…any thoughts on the composer etc. I love the tune, and the B part jumps around a lot which I think really gives a nice tone on the whistle.
It’s certainly not recent, and I think it’s quite a classic. As regards recordings, I’ll have to look up the old vinyl LPs, but I think it was recorded by Tommy Reck for the “Drones and the Chanters” Claddagh records compilation of uilleann pipers in the 1970s.
It’s in the big O’Neill’s (the one that includes all the O’Carolan tunes), but it’s in there as a hornpipe. I actually prefer it that way to the reel; not sure when it evolved into a reel or whether it was always played both ways.
On 2003-02-20 00:27, Brian Lee wrote:
I’m working on a new reel (for me anyway) called The Scholar, and am wondering if anyone happens to know the history of the piece?
I’ve found two excellent resources for histories of many tunes:
It’s specifically intended to help people find recordings of tunes, but it includes print information and sometimes historical notes. One particularly useful feature is its cross-referencing from tune names to track listings of many recordings, and if you’re curious to know what else a tune is called or the names of tunes in a track devoted to a set, this is a good site to check first.
“The Scholar” was composed by a fiddler who moved down from Scotland to Gateshead in England when he was six years old. He named most of his tunes after racehorses or public houses. He also wrote “The Beeswing”, “The Locomotive”, “The Teetotaller”, “The Hawk”, “The High Level Hornpipe” and a lot more that I can’t remember off hand. He was James Hill, and he wasn’t Irish.