I bought it from of our own members who gave me a great deal on it. It was made by a Belgian maker named Geert Lejune it is model after Rudall #5088 (thats right the same one Terry McGee models his after). It is a very nice Flute and I am super happy with it.
So now a little on what I was thinking when choosing Flutes then along came the mentioned memeber with an offer. First, I wanted a Rudall for the sound so I was thinking of one made by Casey Burns but I couldn’t afford the Rings and Tuning Slide, Then after the C&F North East Gathering I had tried a couple of Flutes one of them was a Glen Shultz Flute which I liked a lot and thought because of the powerful tone that it had to be a Pratten (it wasn’t) so I thought well I get get a Burns Pratten, Then I decided to go for a Carl Bell Pratten, then I noticed I might be able to get a Ward Flute with no wait, I then found out the Schultz was a Rudall and decided I should get an M&E for the sake of price and wait time, and shortly after that I got a PM from the afore mentioned member. So now I finally have that Wooden Flute that I have been wanting for a long time. This is my first Wooden one and it is an upgrade for the others I have ever owned.
I see pictures like that and I want to hold that flute, roll it around in my hands, feel the wood, rub my lip on the headjoint . . . oooooh! . . . and sniff it . . . mmmm! licorice! warm oil! silver! . . .
Uh oh . . . my pupils just dilated . . .
Congratulations, by the way. Sounds like a stroke of good fortune and a good purchase!
Oh, dear, how to say this in an as non-limbically-appealing a way as possible …
Avery, from the looks of the lapping it would serve you well to invest in a tube of cork grease, and use it often. That way you’ll minimize the chance of having to force the tenons, esp. on a damp day.
I know I have some cork grease around here some where I do play Bassoon in School and of course that has cork tenons, maybe I should invest in another.