A board member has kindly lent me a skip healy
D flute, as part of a flute-hostage swap.
I’ve been playing the Healy a good deal for a couple of
days, enough to feel I have some senseof what it’s about. I post a tentative review,
with the standard reservations–subjective, , FWIW, YMMV,
as might mine if I played it more. I’ve been
playing for five years now, and I’ve played a number
of flutes, so my impressions may have some small
value.
Anyhow the Healy is easy to handle and to finger, I like
the simplicity of the design, the absence of corked/threaded tenons.
It sounds good, it’s a pratten alright with good volume, entirely
serviceable and quite likeable. It is not, so far and in my hands,
in the league of the
Olwell or the Cotter–the sound of these Prattens has a quality
that rather reaches out and
ravishes one (I’ve been playing to a discerning listener
whose impressions match mine).
Part of the thing is the rounded rectangle embouchure hole.
I’ve played one other Irish flute with this, a GLP,
so I have some sense of it. There is a brightness, an ease
and an ‘upfrontness’ about the sound. It’s easy to control.
I didn’t much like
it on the GLP, on the Healy the effect is a good deal less marked,
however I wonder what the Healy would sound like with
a traditional oval embouchure. This is a matter of taste,
of course, and it may be that there is a good deal
more in the Healy than I’ve yet produced.
So I like it, it’s a good deal. By Terry’s sensible maxim–a good flute doesn’t get between you
and the music–it’s definitely good.