Please help in my search for sheet music

hello all, i’ve been a traditional whistler for some time now, and recently my friends and i have become interested in attempting to find sheet music for some of the songs by either the dropkick murphys or flogging molly

expressly, i have been scouring the internet in a vague effort to find some sort of passable whistle sheet music for “what’s left of the flag” and “devil’s dance floor” by flogging molly. it has been an exhaustive search which has turned up several people who know how to play the songs because they have worked it out by ear (a skill i have tried and failed at) but no one who seems interested in posting this in a sheet music format.

can someone please help! any information on a sight i might be able to get this music from, or someone who would be willing to transcribe it would be most appreciated.

Well, practice makes perfect. You aren’t going to be perfect the first time you try. Keep on practicing by ear.

As for sheetmusic for songs though, I have no idea of a site. I can give you one for tunes, but I doubt those song forms will be on there.

For the Devil’s dancefloor, in the beginning, it does kind of like this:

|Aaa eg~|ef#g|AAB AGE| |Aaa eg~|ef#g|AAB AGG|

It isn’t perfect, but it is something like that.

You might try using Slow Downer software, i.e. software that slows music way down but keeps it in the same pitch so you can hear more easily note for note what’s going on and transcribe it yourself.

On Mac, Quick Time Player can slow down a tune by 1/2, which usually is slow enough for me to pick up most stuff.

Just a thought.

I make it this way. Yez can add the ornamentation yerselves.

Drop it into ABC Navigator to get your stave.


X:1
T:Devil’s Dance Floor
M:4/4
S:Flogging Molly
R:Reel
K:G
ea aa g2ef|e2AB AGE2|ea aa g2ef|e2AB G4|
ea aa g2ef|e2AB AGE2|ea aa g2ef|e2AB G4:|
|:eA ABA2AB|c2dcBAG2|eA ABA2AB|c2dcB4|
eA ABA2AB|c2dcBAG2|eA ABA2AB|c2dcB4|
eA ABA2AB|c2dcBAG2|eA ABA2AB|cAB2A4:|

Here’s yer other one.

X:1
T:What’s left of the flag
M:4/4
S:Flogging Molly
R:Reel
K:D
BAG3AG2|Bde3ed2|BAG3ABA2|G2D6|
BAG3AG2|Bde3ed2|BAG3ABA2|G2G6||
Bde3ee2|dBd3dd2|Bd e3fg2|B2d6|
BAG2ABG2|Bd e3ed2|BAG2ABA2|G2G6||

Not bad, IB, those are very close. You’re definitely developing the skillz. For your benefit (and the OP), here’s my ABC. Besides a few stray notes, your keys are off, and your second tune is shifted over by one beat.

And don’t forget the trucker’s gear changes - every good song needs one. :astonished:

X:1
T:Devil’s Dance Floor, The
S:Flogging Molly
M:C
K:ADor
eaaf g2ef|eAAB AGE2|eaaf g2ef|eAAB AGG2:|
eAAB A2AB|c2dc BAG2|eAAB A2AB|c2dc B4|
eAAB A2AB|c2dc BAG2|eAAB A2AB|cAB2 A4|]
[K:BDor]
fBBc B2Bc|d2ed cBA2|fBBc B2Bc|d2ed c4|
fBBc B2Bc|d2ed cBA2|fBBc B2Bc|dBc2 B4|

X:2
T:What’s Left of the Flag
S:Flogging Molly
M:C
K:G
BA|G2A2 G2Bd|e2e2 d2BA|G2AB A2G2|E6 BA|
G2A2 G2Bd|e2e2 d2BA|G2AB A3G|G6||
Bd|e3e e2dB|d3B B2Bd|e2f2 g2B2|d6 BA|
G2A2 G2Bd|ee2d- d2BA|G2AB A3G|G8|]
E2F2 G2F2|E2F2 G2B2|A8|z6 zG|
E2F2 G2F2|E2F2 G2B2|A8|z6 Bd|
e2e2 e2d2|B2dd- d3d|e2f2 g2B2|d4- ddBA|
G2A2 G2Bd|e2e2 d2BA|G2AB A3G|G8|]
[K:A]
cB|A2Bc A2ce|f2f2 e2cB|A2Bc B2A2|F6 cB|
A2Bc A2ce|f2f2 e2cB|A2Bc B3A|A6 ce||
f3e f2ec|e3c c2ce|f2g2 a2c2|e3f edcB|
A2Bc A2ce|f2f2 e2cB|A2Bc B3A|A8|]

Of course, you might want to reconsider your first statement in light of your second statement. :wink:

Seriously … Ear skills are the heart of Irish traditional whistling. And these Flogging Molly melodies are ultra-simple. If you’re finding them difficult, and you’re serious about the music, you need to tackle your problem head-on with the aid of a teacher, training software, whatever. If you can’t hear it you can’t play it, and sheet music is part of the problem, not part of the solution. You’ll be much happier in the long run.

Interested? Keep in mind that these are copyrighted, commercial songs. If you want the sheet music, you should expect to pay for it, in whatever form the band chooses to make it available. Yes, many groups tend to tolerate simple tabs and ABCs like these. But you shouldn’t count on that.

Anyway, good luck!

Hm. I thought it was the poor ones that needed them.

Happy to be corrected. Thanks, MTG.

OK, I gotta ask: what is a “trucker’s gear change” as applied to music? I’m familiar with the one done in a truck; I’m actually pretty good at it.

a “trucker’s gear change” as applied to music?

is a change of key, much like the increase of engine revs as you double-declutch into third from fourth on a hill :smiley:

Normally used for a sudden and unprepared change of key. It’s used lots in old, cheesy pop songs (and quite a bit in old ‘country’ recordings) and is often a shift up of either a semitone or a tone. The effect is as of a sudden wrench which, in a disrespectful allusion to truckers, is supposed to be the effect produced when they change gear.

Gosh, and all that without recourse to Wiki. I must have got it wrong …

I’m not sure that “unprepared” is the right word if I understand what you’re talking about…
and I’m assuming that what you’re talking about is what David Wilcox does in this video at about the 1:54 mark.
David Wilcox-Rusty Old American Dream

Thanks everyone for all your help! This has greatly assisted me.

Hey, JTC111, that David Wilcox example is way too slick, way too good, to be a pukka trucker’s change. :slight_smile:

Thanks for the link, though. Lovely stuff. :thumbsup:

First time I saw him do that move was about 20 years ago at a live show. It was a small venue in NYC and I was about 10 feet from him. It took a few seconds for what he did to register and when it did I was sitting there thinking, “WTF, that ain’t fair! This guy is breaking all the fecking rules! I didn’t know we were allowed to do that!”
Seeing DW play was a real eye-opener for me and a good nudge into the world of alternate tunings but that mid-song capo slide still blows me away. “Slick” is the right word for it.

what David Wilcox does in this video

… damn !!! … I’d never even thought of doing that !! … were his feet pushing the pedals at the same time :laughing:

I’ve come across quite a few guitarists shifting the capo in Irish sessions. But Mr Wilcox sure does it well.