I just learned the slip jig “Drops of Brandy” the other weekend, and there’s an interesting passage (in both the A and B parts) where you (in G) play “BGB BGB”. Now, lately I’ve been trying to learn all new tunes with cuts between repeated notes – it generally sounds better to my ear, and I find it easier to learn a cut and change to a tongue than vice versa. In this case, however, a few measures after the “BGB BGB” you play “BGB CBA” and I find that if I cut the repeated Bs in the first phrase (inserting Cnats), it ends up sounding too melodically similar to the later measures, and the whole tune loses some of it’s liveliness.
Any thoughts, agreements, disagreements on that?
I’ve also tackled something new in this tune by trying to half-hole the Cnats. I half-hole by rolling off my index finger, so the motion involved in playing “..B CBA” and later “CBC A2 BCBA” is quite interesting – essentially rolling the barrel of the whistle back and forth because of the alternating Cnats and other notes.
On a semi-related note, are there tunes commonly played with Drops of Brandy? And I notice on “The Session” the tune is shown in Dmajor – is that the common session key?
Well, from this description it sounds like you’re actually hearing the C note on your cut, which is not generally how a cut is done. It’s much faster than that, so it’s more an interruption in the tone rather than a distinct note. It has no melodic value – only rhythmic.
Check out Brother Steve’s website (link on the C&F Links page) for more info, but if I’m hearing you correctly, playing your cuts as more of a cut than a note should help with any melodic similarities.
other tunes to go with it could be boys of ballisodare, rocky road to dublin, but check which key you are really playing it in… I have played it with those two and the butterfly when the key sig had only one sharp (F#) or the key of G, but I play it at the session in D with other tunes…
Another clue to the key (for this tune) is the note it starts on: if it starts on G it is in G, if it starts with D, it is in D… but only for this tune in particular…
As mentioned above, if you’re hearing the Cnat, you’re playing the cut too slowly. A cut is a rhythmic, not a melodic ornament, so it won’t matter whether you’re playing a Cnat or a C#. The trick is to play that cut so quickly that you hear a blip, but can’t figure out the note. (Same goes for any cut, not just where Cnat/# is in question). So, I’d stop worrying about getting that Cnat, and work on moving that pesky index finger faster.
The half-holing thing is great! Good for you! However, I’d have to say that if you’re actually rolling the barrel of the whistle as you play, you’re more likely not to be able to hit that Cnat consistently than if you can keep the barrel steady. When I play, my top thumb is approx. half way between my index and middle fiingers - except on the back of the whistle, of course ! This means, though, that when I want to half-hole, I can do so simply by straightening the first knuckle of my index finger, while keeping the barrel exactly in place. I’d suggest that you experiment with how best to keep the barrel steady - in a tune with lots of CBC/BCB patterns, it’ll be easy to play fast and still hold onto the whistle.
I probably am slower on the cut than I should be – I’m half-holing for the cut as well, and I’m just not that fast. I know I could switch over and cut with the C# (and maybe I will) but I wanted to experiment with cutting with the half-hole. Also, I’m aware that I’m cutting the notes, and so I’m probably hearing what someone else might not. I’ll keep working on it and see where it goes.
Fluter_d, thanks for the half-holing advice. I’ll try to lift my finger more than roll the barrel. Part of the problem is that I practice a lot on a very narrow whistle with small tone holes, which makes it more difficult to get a good Cnat just by flexing my first knuckle. But what you say makes sense, and I know that I’ll regret it later if I don’t make the time to learn the technique correct at the beginning!
We’ve had some fun following that tune with a mildly contemplative, yet strongly rhythmic version of “Kid on the Mountain.” (you could always tuck the Butterfly in between, too)
What about starting the set off with “A Fig for a Kiss”?
Also, for variety and sometimes a little jazzy flavor (although NEVER on the first pass), I might shade in (i.e., sort of half-holing, but more like not putting your A finger all the way down) an A-sharp in certain of those BGB tuplets; i.e., DED BA#B BA#B. I also sometimes do short B rolls on the first tuplet or maybe both if the spirit and fingers will move – and then, to lighten things up on say, the third pass (especially if I’ve done the rolls), I’ll sometimes simply hold the B through the triplet, thus: DED B__ BGB BGB as an “ornamentation antidote.”
(I might cut into that long B with a shaded A (i.e., sort of an A-sharp) as well. )(or play DED BBB BBB … and just tap the B’s)
Finally, you can also shift tune to A major (or not) and play it with “The Snowy Path.”
Fluter_d or Cathy, any chance you can record a version of the tune and send it my way (or post it to Snips & Clips or somewhere)? I’d like to hear your versions…
Tell you what. If I can figure out how to make a recording, I’ll be happy to. I’ve got a suspicion my new pickup mic will plug directly into the computer (it’s a tiny little cord & plug), so this might not be too hard … of course, I’ll have to find some sort of Mac recording software, but let me see what I come up with over the weekend.
Hey, thanks guys! You’re too cool – and too kind, and pretty funny to boot. Anyway, after three frustrating hours Friday nite trying to download the free ProTools (how could one NOT want that??) over the world’s sloooooooowesssst connection (I live in Hooterville as far as phone lines go), I came to the conclusion that I could walk to Scott’s house and play the tune in person much faster.
So Scott, where do you live?
<kidding, don’t panic>
Anyway, thanks for the links, Bloom! I’m getting an actual G-4 here at work in about an hour (after spending the last three years on an 8500 with an OPTICAL DISK drive – thank you computer gods!), so I think I know what my first download’s gonna be.
Aaah, finally. A reasonably fast computer and and a fast connection, all in the same room. Waaaaaaahooooooo!
So I’ll get something out there in the next day or two.
BTW, “Audacity is free.” Makes a good quote. I thought you were referring to my chickenheartedness.
! This means, though, that when I want to half-hole, I can do so simply by straightening the first knuckle of my index finger, while keeping the barrel exactly in place. I’d suggest that you experiment with how best to keep the barrel steady - in a tune with lots of CBC/BCB patterns, it’ll be easy to play fast and still hold onto the whistle.
Yikes! Performance anxiety already!