I kno’ fo sho’ s’ma tha younger dogs ‘n’ cats roun’ hurr cannuat get enuffa hiphop, so if you godda minute to spend wit me, if so accomp’ny me like a grizzly, ya know, beah wit me.
Awright dawgs; I’m sorta hooked on the fusion (Fused, anyone?
) of ITM and hiphop, and I finally realised that was exactly the kind of sound I have been looking for. This I realised after having listened to a Fused album. I believe this holds, or began to appear so, true also for a limited number among you here in this board. But think about a rap game on a slipjig rhythm (“What the…!?”), or maybe you can’t just stand a hiphop-flavoured ITM (“I’m pure sick of it”). I used to think the fusion would never be possible. But here it is, Fused, and undoubtedly it’s one-of-a-kind. Many will follow him but, as is often the case with any music industry, fakers will die hard; many will not follow him and yet die, because their love for the good-ole-days prevents further Evolution (oops, Evolution already took place in Christ and is taking place in His Church and the process will be complete when He returns..but well hey, I guess this be OT), or, a chance to receive a broader mind. Well, I do believe that it’s still possible for some of us to cap the butts of some politics-toasted chickens by attempting the following;
a) Get the track “Shake yo tailfeather” in Bad Boy II album
Stuck it in the synth, tune down to Dm whilst retaining bpm.
Arrange the volumes of the voice to your taste.
b) Get a descent, edge-cutting instrument exc. rec***der.
c) Play “Stay and Have Another One” in Dm7.
D F G Gb A C D
It this sound extreme, just replace F for F#, C for C#
c.f. Declan Masterson “Fairwater”
“A rap on jig rhythm? Please.”
That was my stance for a couple of months until, again, I heard Fused . actually 6/8 can be dubbed with 8/8 in the hands of a good Dj, thus twisting the stueck for a descent backtrack. Have to ask D Shaw and a friend of mine who can rap, and see what happens.
OK, I’m outta here. Peace out!