OT: A story...

A STORY

-Long, long ago, in a land far, far away, a poor but cunning woodsman was busy at his daily labors. 'Twas just a day as any of his days would usually go, and any thought of changing his occupation was, to him, ludicrous: a woodsman was a woodsman, for all that, and woodsmanry was his bailiwick. To chop down oak, birch, ash, hawthorn and such was only part of his skills; pruning, culling, transplanting and hauling of kindling also took up his hours away from his small but snug hut. So, on a misty and fragrant dusk, as his toils wound down, this woodsman, bracing his ax against his hip, took a bit of a nap -in a swath of glowing sylvan fog- against a rowan-trunk that found utility as a prop for his aching back.

-How long a nap our woodsman took nobody can say, woodsman in particular -or how long it took a faint but approaching music (and not of this world)- to bring him out of his dozing. Both hour and locus in that crack 'twixt human and fairy worlds form wobbly things anyway, as is fully known to all who slip into that unworld, blown almost willy-nilly by mad winds and whims of fairy-play.

-As if groping out of a vision all atilt, our woodsman soon saw a confounding array of dancing lights and fairy folk gamboling to a music that had no musicians -for our woodsman could not find any to his sight. Out of that throng of “Good Folk”, a lady in a gown of gold and crimson, with a girdling of rainbow and in a cloak of dragonfly wings, stood in front of him and put to him this conundrum: “If an accordion burns and nobody is on hand to know of it, what good is had by this?”

-Knowing that in this unland 'twixt worlds his words might cut him off from his own, to whirl and cavort without stop in that mad dancing that is fairy-land, our cunning woodsman -also a Rinzai Buddhist- shot back, “Warm your hands by it anyway.”

-At this, this shining fairy-lady did bow, murmuring, “But for your words you would now join our musicians for our dancing. This gift is for you.”

-Amid a fading glow, from fairy hand to human did pass: a rcordr.

TH* *ND

Ooops. That was supposed to go on the Moratorium II thread. Sheesh.

Move along. Nothing to see here. All’s well.

Damn.

Thanks for the typo alert, Herbie. I just cheated and edited it. :smiley:

And I just edited my posted alert. No one need ever know.

I know, but i’m not telling.

I can’t imagine doing a whole freakin’ book that way. A short tale is tough enough!

Well, as long as we can use e’s again…

I discovered the day AFTER I posted my little “lay” that I had copied the wrong version into the message box, the one that contained the word tried, which as you may notice has an e in it, instead of the word sought, a simple and e-less replacement. So I made the change and was going to explain it, but wasted easily a half hour trying to figure out how to explain it without using e in the explanation and then gave up. phew Feels good to get that one off my chest.

But a whole tale!!! Nanohedron, take your bows! That was just wonderful! I mean, jaw-dropping.

Carol

Aww, shucks, Ma’am.

Very nicely done. Although, personally, I like more crocks and larders in my stories about woodsmen.

ahum. cough I mean,


Amazing. Although I admit that I am partial to more crocks and a pantry or two in a story about a woodsman. :roll:

Yeah, I too thought a wee view of the domicile would have been a good thing, but I was at work (!) and a bit pressed. That’s how it wound up where it did today, too. Multitasking is way overrated, and this is the proof.

Bravo!! Bravo!!

Truly mindboggling work of without-a-particular-non-consonant wizardry.

There’s in French La Disparition by Georges Perec.

Now, I learn it was successfully translated in English as A Void; the translator achived the feat of also skipping the forbidd*n vowel, in this 300-pages book…

Excerpt (from the French version) – it’s the full story of Moby Dick in Digest form…
"Oui, il y a aussi Ismaïl, Achab, Moby Dick. Toi, Ismaïl, pion tubar, glouton d’obscurs manuscrits, scribouillard avorton qu’un cafard sans nom gagnait, toi qui partis, fourrant un sarrau, trois maillots, six mouchoirs au fond d’un sac, courant à ton salut, à ta mort, toi qui, dans la nuit, voyais surgir l’animal abyssal, l’immaculation du grand Cachalot blanc, ainsi qu’un océan lilial dans l’azur froid !

Ils sont partis trois ans, ils ont couru trois ans, bravant tourbillons, ouragans ou typhons, du Labrador aux Fidji, du Cap Horn à l’Alaska, d’Hawaii au Kamtchatka.

A minuit, au gaillard d’avant, il y avait Starbuck, Daggoo, Flask, Stubb, du Cap-Cod, Dough-Boy. Pip jouait du tambourin. On chantait:

Oh yo Oh yo

Pour un flacon d’Alcool !

Un marin nantuckais immortalisait un combat colossal qui, par trois fois, opposait Achab au grand Cachalot blanc, à Moby Dick. Moby Dick! Son nom glaçait jusqu’aux plus forts, un frisson convulsif parcourut l’octogonal tillac. Moby Dick ! L’animal d’Astaroth, l’animal du Malin. Son grand corps blanc qu’un vol d’albatros partout, toujours, accompagnait, faisait, aurait-on dit, un trou au mitan du flot, un noyau blanc sur l’horizon azur, qui vous fascinait, qui vous attirait, qui vous horrifiait, trou sans fond, ravin blanc, sillon fulgurant d’un courroux virginal, couloir qui conduisait à la mort, puits vacant, profond, lacunal, vous aspirant jusqu’à l’hallucination, jusqu’au tournis ! Huis blanc d’un Styx plus noir qu’aucun goudron, tourbillon blafard du Malström ! Moby Dick ! On n’y faisait allusion qu’à mi-voix. Signons-nous, disait parfois un bosco pâlissant. L’on voyait plus d’un marin murmurant tout bas un dominus vobiscum.

Alors, apparaissait Achab. Un sillon profond, d’un blanc blafard, traçait son cours parmi son poil gris, striait son front, zigzaguait, disparaissait sous son col. Bancal, il s’appuyait sur un pilon ivoirin, moignon royal qu’on façonna jadis dans l’os palatin d’un grand rorqual.

Il surgissait, tonnant, hagard, maudissant l’animal qu’il pourchassait voici dix-huit ans, il lui lançait d’insultants jurons.

Puis, au haut du grand mât, il plantait, il clouait un doublon d’or, l’offrant à qui saurait voir avant tous l’animal.

Nuit sur nuit, jour sur jour, à l’avant du galion, transi, raidi dans son suroît, plus dur qu’un roc, plus droit qu’un mât, plus sourd qu’un pot, sans un mot, sans un clin, plus froid qu’un mort, mais bouillonnant dans son for d’un courroux surhumain, volcan grondant ainsi qu’un bloc raidi chu d’un ouragan obscur, Achab scruta l’horizon noir. La Croix du Sud brillait dans la nuit. Au haut du grand mât, ainsi qu’un point sur un i, l’halo gris baignait d’un clair obscur pâlissant l’or maudit du doublon.

Trois ans dura la circumnavigation. Trois ans durant cingla l’hardi galion, louvoyant du nord au sud, roulant, tanguant dans l’inouï tohu-bohu du jusant, bourlinguant sous l’août brûlant, sous l’avril glacial.

Un court instant, tout parut s’adoucir. A dix furlongs du galion, Moby Dick glissait, animal divin, paix avant l’ouragan final. Il y avait dans l’air ambiant un parfum saisissant d’absolu, d’infini. Du flot cristallin sourdait, montant, un halo lustral qui donnait à tout un air virginal. Nul bruit, nul courroux. Chacun s’immobilisait, contraignant son inspiration, saisi par la paix qui soudain rayonnait, s’irradiait, alangui par l’amour inouï qui montait du flot calmi, du jour blanchissant.

O, instant amical, unisson parfait, absolution ! Avant la mort qui rôdait, l’himalya lilial du grand Cachalot blanc donnait à tous son grand pardon, à Starbuck, à Pip, à Ismaïl, à Achab.

Achab ! Front brûlant, tordu, horrifiant, bossu. Un long instant, sans un mot, il fixa l’horizon. Un profond sanglot agita son poitrail puissant.

  • Moby Dick, Moby Dick ! hurla-t-il à la fin, tonitruant. Allons tous aux canots.

Sur son jambart au cuir crissant, Daggoo affûta son harpon au morfil plus aigu qu’un razoir.

L’assaut dura trois jours, trois jours d’affronts inouïs, chocs obscurs, corps à corps, vingt six marins unis dans un combat colossal, assaillant dix fois, vingt fois, un harpon plus tranchant qu’un bistouri s’implanta jusqu’aux quillons, jusqu’aux croisillons dans l’animal qui rugissait, bondissait, mais qui nonobstant d’aigus barbillons labourant au plus profond sa chair, d’aggripants crocs tailladant, arrachant à vif, traçant sur son dos blanc d’avivants sillons sanglants, faisait front, s’attaquait aux canots qu’il culbutait, qu’il coulait, puis disparaissait tout à coup au plus profond du flot. Puis un soir, s’attaquant soudain au trois-mâts, moby Dick l’ouvrit d’un coup. L’avant du galion bascula. Dans un sursaut final, Achab lança son harpon, mais son fil tortilla. Moby Dick, tournoyant, fonça sur lui.

  • Jusqu’au bout, j’irai voulant ta mort, hurlait Achab, du fond du Styx j’irai t’assaillir. Dans l’abomination, j’irai crachant sur toi ! Sois maudit, Cachalot, sois maudit à jamais !

Il tomba, ravi par l’harpon qui filait. Moby Dick, bondissant, cloua Achab sur son dos blanc, puis piqua au fond du flot.

L’on vit un ravin blafard, canyon colossal, s’ouvrir au mitan du flot, tourbillon blanc dont la succion aspira un à un marins morts, harpons vains, canots fous, galion maudit dont la damnation avait fait un corbillard flottant…

Apocalypsis cum figuris: il y aura pourtant, il y aura toujours un survivant, Jonas qui dira qu’il a vu sa damnation, sa mort dans l’iris blanc d’un rorqual blanc, blanc, blanc, blanc jusqu’au nul, jusqu’à l’omission !

Ah Moby Dick ! Ah maudit Bic !"

(Edited for a couple typos)

He did not. However, I think it’s a prodigious feat to even have one such word; as a matter of fact, just last evening I was wondering if it were at all possible to do the same thing in French! Now I see it is.

I especially liked the part about the Rinzai buddhist:
Well said!