I must share the moment that I just had…
I walked outside here at work to go play for a few minutes out by the pond and all of a sudden, NE Florida became Ireland. The weather changed from sunny with heavy cloud overhead to slanted rain in a matter of 10 seconds, and the wind started as well. The geese that come here and nest 2-3 times a year started walking about the grass and sidewalks searching for worms and the like, and I waited and watched them instead of returning to the prison (aka cubicle). Im glad I did!
I watched the baby geese and adults hunt for food for 5 minutes, admiring the weather, wondering how much it would be like that in Ireland in a few weeks, and then the rain stopped all of a sudden, with the sun again peeking out.
I walked out to the pond, sat on the bench, and broke out the trusty Ormiston. I guess once in a while, I do things differently, like cover more of the embouchure hold up more, or do somthing different with my lips, cause I got a really awesome buzzy, reedy(er) sound out of it which has only been that great sounding a few times (meaning that it always sounds good to me, the tone that is…but today it sounded great!). It sounded so good, that I went thru ‘Out on the Ocean’ four times before moving on to the Connachtman’s Rambles. Once thru that, then a bit more of rain started…
ah…it was a great day to be playing out by the pond.
Neat story. There are just times when everything goes perfectly - almost transcendent in nature.
Eric
Humidity is a wonderful thing.
! If my flutes were people I’d say they’re homesick except on rainy days.
Which brings me to a question that you, fluter_d, might be just the person to answer …
… how does your flute fare on your travels back and forth between Columbia and Cork, especially in the winter? Do you do anything special to ease the transition? Do you sometimes feel like you put one flute into the case in Ireland but take an entirely different one out back here in the States?
Being as this happens in my very own living room on a regular basis, it’s something I’ve been wondering about a lot (still working on my seasoning/climate/environment theory). So I hope I’m not being a bother, but I’m curious as to how pros such as yourself deal with such dramatic humidity changes.
Thanks so much!
Cathy.
P.S. Sorry for the hijack; I just keep seeing such a connection between RH and playability, and it doesn’t seem to get talked about too much – but what a difference a minimum of 60+% makes for my flutes (both from Ireland).
It also makes me wonder if, when makers package flutes up for sale in drier climes, they might want to do something re: humidification for the trip – and also advise their customers of same. (Again, especially in winter.) I mean, who knows? It might be a fairly simple help for the “ACK! My new Cotter/Murray/Hammy/etc. came out of the parcel cracked!” problem …
Actually I dont mind that this got hijacked. Because it does seem that the flute works better when it’s wet out!