David O’Brien sent me a replacement head for my whistle which, while keeping the backpressure and character of tone that I love, has increased the volume.
This whistle now has the volume to be useable (but not overpowering) in session, making it one of my very favorite session whistles.
Here’s a recording with the new head, of Manus Lunny’s Terra Cotta Flowerpot (yeah, strange title, but a rocking nice jig):
That recording of Aaron Boat is years old, but is precious to me because Pat, Sam, and I can never seem to all get together at one time to play together anymore.