Lessons... help!

Hi all!

I start teaching tin whistle & trad flute for the first time on Tue evening, & I’m looking for some help. Tunes won’t be a problem, and explaining ornamentation etc should be fine; I’m a bit worried about crowd control though. I’m teaching over 3 hours, so maybe 10 - 20 pupils, aged (as far as I know) from about 10 - 16. I’ve got the advanced whistles, and all the flutes. Any teachers out there who have some experience of this? School teachers? What do I do if they start trashing the room? (I’m sure they won’t - please don’t give me any horror stories! :slight_smile:) Do you have any recommendations on how to split the groups up? (They’re grouped from last year’s teacher - I have no idea how). Age? Ability? Manageability?
I’m sure it’ll be fine - it’d just be nice to have some input from people who’ve been in this situation! :slight_smile:
TIA,
Deirdre

[ This Message was edited by: fluter_d on 2002-09-21 19:45 ]

The first thing you should do is get a Chieftain “Gold” Low D to use to teach with. These whistles are large and heavy enough to use as weapon if the crowd turns on you.

I was thinking that I’d just bring peanuts for the flute - those things hurt! (For the non-violent, non-flute-playing readers: place a peanut in the embouchure of your flute. Cover all holes. Aim. Strongly blow through flute. Duck. Repeat. :wink:)
D

[Reason not to bring gold low D Chieftain: lack of money until AFTER lessons start… it’s a nasty vicious circle. Peanuts, on the other hand, I think I can afford!]

I love the peanut tip, I will have to try it myself, I wonder if it works with M&Ms?

Tips I have learned in teaching the whistle and other instruments.

1st off establish a no whistle playing when you are talking rule. Come up with a signal that means no playing and use it. I start with a new group by telling them not to play until I say. Then I teach them to blow whole notes on an “A” or “B” note. I count to four then I signal them to stop. This is not only useful in teaching them to count, the value of a whole note, and how to hold that individual note but most importantly how to listen and when to play. If people insist on playing when it is quiet time, repeat your expectations of silence but not to the individual, instead tell the class with humour as if they are all stepping out of line. That way you avoid signaling people out but get your message across.

2nd tip, give them time to work out a problem. For instance, if you have taught them a concept and they understand it but can not physically do it because their hands all of a sudden don’t listen to them, then give the group a few minutes of “free play time” Use this sparingly as you need to remain sane!

When introducing complicated or new rhythms, have the class clap them. It is easier on the ear and teaches them problem solving techniques.

Remember everyone learns differently and at different speeds. This means that you will feel like you are going too slow for some people and too fast for others. Some people who are behind need to be allowed to be behind. As long as you are aware of their progress and offer them tips to improve their own performance, it doesn’t matter how fast they improve.

You will loose students. This doesn’t mean you are doing a bad job, some people just find that they are not progressing as they would like, or can’t get into the instrument. This is not your fault!

For me, I find that 8-10 students for 1 hour is perfect. I don’t envy you having them for 3 hours as I find that people begin to overload after 1 and just want to go home and try out the new concepts! Perhaps having them team up into pairs and putting them in different areas after and hour and going from team to team might give them some down time, companionship and a little one on one!

Hope some of that helps and good luck!

Sandy

You know, I think I’ve just come up with a punishment/reward system: I’ll shoot peanuts when they’re bad, & M&Ms when they’re good… :laughing:

Thanks Sandy - there are some good points there. I probably should have been clearer in my original post - I’ll probably have each group (of ?3-6) for about half an hour or 45 minutes. So that’s immediately less of a problem. I hope! But I’ll definitely try your ‘no whistling when I’m talking’ rule. That way no-one’ll get too badly hurt! :wink:

You could apply some concepts of shakuhachi teaching to your 3 hour class.

Mainly, when people learn shakuhachi through the ‘traditional’ way (from what I read), the teacher teaches, then the student teaches the teacher. It helps integrate what the student can do, and helps indentify what the student does NOT know.

For your pretty big class, you could divide them into groups, teach each a different thing, and let them ‘present’ their newfound learnings to others, then cycle after each hour or session.

re. Flute ammo choices: -M & Ms might leave residue in a moist bore, so unsalted peanuts might be best. Salted peanut residue will leave salt in the bore and dessicate the wood.
An unsalted peanut will leave a minuscule trace of oil, but its probably
harmless, and might help condition the bore.

On 2002-09-22 12:15, brianormond wrote:
M & Ms might leave residue in a moist bore…
An unsalted peanut will leave a minuscule trace of oil, but its probably
harmless, and might help condition the bore.

I think that this HAS to be the only messageboard where a comment on using a flute as a weapon gets a reply analysing the “ammo”'s effects on the flute… :smiley:
Thanks!
D

I also can’t help but notice that no-one has jumped in to comment on the possible effects on the children… :laughing:

Unless the children are allergic to peanuts, they should be all right!

I like the reward system! You are an inspiration. I will have to try it!

“Oh no, she picking up the peanut bag…quick!!! Quit playing!!!”

“Whew, she put it down again.”

"HEY!! TEACHER I PRACTICED REALLY I DID!!! (She’s picking up the M&Ms…)

I potty-trained both my boys using Whoppers. Not only did they get a Whopper when they got it right, everyone else did too so everyone gave them a lot of praise and encouragement. Worked like a charm.

Bribery is a wonderful thing.

When I was in school band, I played clarinet. The flautist always wanted by old reeds for shooting purposes.

You think it’d work, Sandy?

I’d use Whoppers, Kim, but we don’t have them here. The equivalent would seem to be Maltesers, which are just a little bit too large to fit through my flute - I’d probably get them in the embouchure hole, but getting them out the other end could require professional help… :laughing:!

It seems that bribery is the way to go. Thank you for confirming my suspicions!

Deirdre

Definatly.

I would practice for M&M’s!

I bribe my whistle class with Tea and cookies. I think they need to learn to declog their whistles so it is my way of furthering their education.