I wonder that what he was writing may be true, as a Susato head is assembled from several small parts glued and glue is known to shrink in the course of its hardening over months or years.
And we know that even a slight change in dimensions of the whistle head may cause significant effects on its sound property.
So, I would like to ask the people who were complaining about Susato whistles at that time (11 years ago).
Being a plastic whistle, I don’t think it will mature like a wood does.
What matures/improve is your breathing control.
When I tried my Susato Low D for the first time… it felt like my lungs are gonna come out. Developed a cough reflex for a week, but with frequent tooting… the reflex vanished.
I love the pure round clean sound that it possessess… Such great power requires great responsibility (control).
Ignore my statements if you started from a wind instrument that has a crazy air requirement.
I have a very mature Susato, one of the original type, machined out of PVC stock, with a wooden plug.
EDIT:
I added a couple pics for people who don’t know what I’m talking about.
Susato used two colours of PVC, off-white and brown. My mezzo A had a brown body and white top, my high D was all white, and my mezzo G (seen here) is all brown, the only one I have left.
I don’t know if these were better necessarily, though to me they have a more normal/traditional tone than the new injection moulded Susatos. The mezzo A was a great player, superb in every way. It seemed to me to have the ideal bore ID to length ratio. The high D and this mezzo G have bores a bit too wide for my liking. They’re very loud, with the pure clean Susato tone.
These were not available in tunable models, but all had a one-piece non-tunable body. They tended to play sharp, around 442-445, at least here in California.
A friend still has his Low D made at the same time, which was made in 3 sections (as I recall) and is tunable.
I have heard those were a fair bit better than the injection molded ones that came later (maybe from you come to think of it…) I’ve not had a chance to try though.
I’m just curious how the wooden plug held up? How old? Was there any deterioration in wood? That is provided the whistle was played often rather than just sitting unused in a box. Any shrinkage or splitting of wood? Thanks.
So an update on this- got my Kildare in C, and yes it’s nicely in tune through both octaves, has nice clear tone and strong volume (especially for a C whistle). I like that i don’t need to push a whole lot of air (which i have trouble with on some other whistles).
I don’t really care for the chunky and short mouthpiece/beak, but it’s not presenting any daunting problems. To be honest, I think my Freeman Blackbird in C plays more ‘sweetly’ and nimbly, but this Susato C has lots of clear toned power and would be particularly good playing in a large jam situation. Overall I’m real pleased with my purchase!
I enjoyed your video- sounds pretty to me!
My new Susato C whistle is in the S (small bore) series, so not quite as narrow bore as your V (very small bore) series.
I bought my C in 79 or 80 and played it quite a bit for some years.The last twenty years it’s been in the box more than played.Wood plug still ok,no cracks,no loosening,no expanding and cracking the tube.
Still thinks it’s one of my better whistles.Just wish I had bought the A then also,instead of wasting the money on a Hohner G.