I’m in the market for a Low D so I was wondering if those of you privleged enough to fufill your WHOA urges could only have one Low D which one would you keep?
A second question is which Low D is good for faster tunes like Jigs and Reels?
For me, the answer to both of your questions is, without a doubt : The Goldie Overton Low D.
Loren
On 2001-11-27 08:11, Loren wrote:
For me, the answer to both of your questions is, without a doubt : The Goldie Overton Low D.Loren
I just ot mine yesterday, and I agree with you 100%.
For those with only one low D and a budget, I’d recommend the Dixon Low D - sweet sound, nice range, and works for faster tunes.
Cal
It wouldn’t be a Shaw Low D, that’s for shaw, er shore, errr sure !!!
But I can’t afford anything else so I’ll live with it.
At least my lung capacity has increased since I got it.
A
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I don’t have much experience with different brands, but I second Loren. The (Goldie) Overton will always be THE Low Whistle.
Christian
Copeland low D.
On 2001-11-27 09:59, raindog1970 wrote:
On 2001-11-27 08:11, Loren wrote:
For me, the answer to both of your questions is, without a doubt : The Goldie Overton Low D.
LorenI just ot mine yesterday, and I agree with you 100%.
Yep, me too, I vote for the ‘Cosmic Drainpipe’.
Of Course, I’d be constantly going through withdrawl … Such is the nature of our affliction - WhOA.
After experimenting with numerous Low whistles I would choose the Copeland. It has a beautiful sound and it can be played fast. It requires a different breath technique than, say, the Overton (which I also like very much). It is sensitive to breath pressure, but the advantage to this is that it can be very expressive if you take the time to learn the instrument. In the hands of someone who knows his/her Copeland, it has a larger “vocabulary” than the others. My $0.02…
Phlebas
I’d like to add my voice to those endorsing the Goldie-Overton Low D. I have one, and love it.
…Addendum to my earlier comments: If you’re not already on a waiting list for a Copeland (or Overton) my advice is to contact Mr. Power at Shanna Quay for a Cillian O’Briain Low D. It is my favourite cylindrical bore Low whistle and is every bit the equal (or better) than some that require a year-long waiting list and are far more expensive.
Phlebas
Yeah I tried a couple of O’Briain low whistles and they are really good, but I tought they were actually very expensive since O’Briain isnt as known as Copeland or Overton… But I don’t know how much they sell them for in America…
As one who no longer builds low D’s,I’m wondering what is the difference between a Colin Goldie Overton and a Bernard Overton Overton?.Surely someone must suggest a Bernard Overton Overton here,he is the designer of the instrument.Am I to think that a Colin Goldie Overton is a superior whistle to a Bernard Overton Overton?Has anyone played a Bernard Overton Overton and a Colin Goldie Overton to give comparison?.
Just a thought.
I agree with Phil… is there someone out there with an older Overton made by Bernard? If he/she hasn’t played a “Goldie” please do and post your comments about them both.
Phlebas
To add one more to the pot…what about Phil’s Kerry Pro Low D. I have one of these and really like it. According to Dale in the review of the Kerry Pro, the differences between this whistle and the Overton are subtle.
Cheers 
Gerry
I do have an Overton made by Bernard, as well as several by Colin. I’ll answer some of the questions posed by Phil, but not until later, as I am running late for Physical Therapy appointment…
Where do you order the Overtons and is there a waiting list?
On 2001-11-27 13:56, CraigMc wrote:
Where do you order the Overtons and is there a waiting list?
If you live in the US, you might want to check with The Whistle Shop to see if they have any in stock. Overton](http://www.thewhistleshop.com/catalog/whistles/low/Overton/lowd/lowd.htm%3EOverton) Low-D at The Whistle Shop.
Or check directly through: Colin Goldie’s Overton site (he’s in germany).
You just missed a couple of Low-D Overtons that were available in the last couple of months through Fyfer](http://www.home.earthlink.net/~migoya/id24.htm%3EFyfer) Restorations
Hope this helps you …
Enjoy Your Music,
Lee Marsh
[ This Message was edited by: LeeMarsh on 2001-11-27 15:04 ]
On 2001-11-27 12:34, Phlebas wrote:
I agree with Phil… is there someone out there with an older Overton made by Bernard? If he/she hasn’t played a “Goldie” please do and post your comments about them both.
Phlebas
I have a Bernard Overton Low D (sorry about bringing this up Loren; but at least you have one now). It is a great instrument. I’ve owned Howard, Copeland, Overton, and O’Riordan Low D whistles and briefly played a Kelly’s (out of business) and Burke Low D’s. All but the Kelly’s had their merits. The B.O. Overton would be my choice for only one.
The B.O. Overton has the following characteristics:
*high breath pressure
*moderate breath volume requirements
*superior tone stability (nearly impossible to blow out of tune)
*great volume (can be moderate to loud due to previous attribute)
*sharp-edged finger holes seal very easy
*great expressive capacity
*good amount of chiff - sounds “folky”
*permits playing of fast dance tunes (despite longer stretch than others except O’Riordan)
*responsive to ornaments
*lighter than Copeland, heavier than O’Riordan & Howard)
*solid construction - may be used as a fulcrum for moving boulders and automobiles (not really)
*shines up real nice - resists oxidation much more than brass
The Copeland has a lot of potiential, but
I’ve been playing the Overton too long to want to switch. I also did not have if very long (5 months or so) before agreeing to a temporary trade (2-3 years) for a Stagi 30 button Anglo concertina. If I waited much longer, I may have gotten too attached with it. I find that it has better timbre characteristics for non-Irish music; mind you, the converse is not true, it sounds fine for Irish music.
The O’Riordan is also very nice. I’d never part with it becaus it has a E flat section that changes up with the D section. It sounds very nice and is very easy to play. The holes permit finger seals very easily. The volume is moderate/adequate - not loud. Tonal stability is somewhat variable - it gives great expression with breath control, but forces you to focus a bit to keep it in tune.
In addition to Lee’s suggestions, Celtic Fire and maybe Song of the Sea also sell Overton Low D whistles (See C&F internet whistle vendors).
[ This Message was edited by: Mark_J on 2001-11-27 15:29 ]
Man, if it had to be only one, I’d have to go with a Copeland. I love my Ronaldo Reyburn Low D, but the Copeland is louder and more versatile. Also, since it’s metal, it requires less care than one with wood in it. Yeah, Copeland Low D.
Jessie