a subject that came up at the topic about good tunes with good D’s…
i also like to play airs on the irish flute…
BillG suggested Cailin na Gruaige Doinne (The Girl of the Brown Hair)…
i like :
mary young and fair
captain o’kane
women of ireland
dark island
she moved through the fair
I’m sorry, I must have misread this topic. I thought the topic was, “Haunting hunting errors”, and I was ready to say that that was being discussed in the controversial forum. Again, excuse the intrusion.
Does anyone have the music or internet location for good D flute arrangements of “O’Raghallaigh’s Grave” (from Dervish’s “Spirit” CD) and “She Moved Through the Fair” ? Much obliged.
Paul
Thanks, Bill. I’ve already tried this version but you really need to play the low “C” note in it (although a “D” works as a substitute). The only arrangement that seems to work on a D keyless flute starts with an “A” note.
Paul
Right, start on the second octave D. You go up to the third octave
D. It really works that way, IMO, it’s suits the tune.
Especially if you play the high notes quietly.
Marcus has a lot of great airs in his repertoire. There was an unnamed one on his cassette that he did in the 1980s/early 90s that was really beautiful; Joanie Madden later recorded it with the name “Marcus Hernon’s Air.”
I’ve composed a few airs that might be called “haunting” and posted a link to one of them in a similar thread over in the whistle forum. This tune is called “She Said No.”
I made it up during a trip to western Scotland, and Chris Abell came up with the title after I played it for him. The recording was made with a Skip Healy flute about 10 years ago at the home of my friend Tommy Byrnes; he stuck a microphone out the window to catch a summer thunderstorm that happened to be going by as we were recording that evening. The tapping sounds are big heavy raindrops falling on the tin roof of a shack in Tommy’s backyard, and you can hear robins singing in the background.
Thanks, but that tunebook would be awfully wee! There are only four or five tunes I’ve composed that are “keepers.” I don’t compose much anymore…there are so many great tunes out there already that I’m not motivated to come up with new ones.