I was wondering if there is a general rule as to how different woods affect
The sound of your pipes.
Does harder or softer wood make a different sound or is it simply what looks best?
And, what are some common pipes’ woods?
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I was wondering if there is a general rule as to how different woods affect
The sound of your pipes.
Does harder or softer wood make a different sound or is it simply what looks best?
And, what are some common pipes’ woods?
![]()
Ebony
African Blackwood
Cocobolo
Ebony,Abw=loud
mopane= medium
Fruitwoods,yew, some rosewoods=moderate
This kind a basic list was given when I asked about borderpipes (bellowsblown)
sound volume from maker J.Burke, perhaps it works kinda same way with UP’s too.
Boxwood
Lemonwood
Snakewood
Red Lancewood
Well, as you can imagine, as an ex-reedmaker I have worked on very many different sets and chanters. It is my opinion that not the wood itself influences the sound but moreover the surface of it´s bore. Unlike with stringed instruments, the wood itself does not vibrate but just the air-collumn within the bore. This ends up to the same with one exception: For example Ebony might sound “crisper” than Blackwood (wich it normally does not) if it has been worked at with a very sharp reamer and the Blackwood has been worked at with a fairly blunt reamer. To my experience I would give this “range” of woods from “crisp” to “mellow”:
Snakewood
Lignum
Blackwood
Cocobolo
Ebony
Boxwood
Fruitwoods
The surface-structure of bore depends on density, grain structure, fat-contence, etc…
The sound depends on reed, bore-surface, personal taste, accoustic features of the room (e. g. reverb etc..), player, humidity, etc…
My theory seems logical to me but I can´t prove it. A proof would be if a plastic or metal canter (having a very smooth, even bore-surface) would sound the same like (lets say) snakewood - of course with the same reed - but I doubt whether this ever has been tested. BTW, has one of you ever heard of an UP- plastic-chanter (like in the world of GHBs). I only know of the existence of a metal double-chanter.
Best,
Hans
A visitor to my flat has opined that a 1 wood might produce a more satisfactory tone from my new practice set than I currently can.
my wood affects my playin, i cant get no where for the chanter to fit on my leg ![]()
… personally, I’d go with a fairway wood… more loft to aid in hitting the second octave. ![]()