Does anybody know the name of this tune? I don’t really “do” the abc’s so please excuse my feeble attempt below. Here is the beginning. It is not the Merry Blacksmith, but starts similarly.
Let’s clean it up a bit, first (I’m no good at ABC either, but this much I can do, if I’ve understood your rendering):
ll: d3A BAFA l ABdA BAFA l BEED EFGA l (3Bcd ec dcBc l
As to the last notes, I settled for the guess that the phrase ends on c and the d was the downbeat for the the next measure; the other possibility to me is that instead it’s another Bcd triplet, to wit: (3Bcd ec dc (3Bcd.
Which is it?
In any case it sounds like just another setting for Merry Blacksmith to me.
[ Nano: I cleaned your ABCs a tad … I don’t know what it is, either. - MTGuru ]
[ MT: I know I stink at this, but stop helping already!! I’m workin’ on it. Okay. I think it’s fine, now. - Nano ]
You are quite correct
ll: d3A BAFA l ABdA BAFA l BEED EFGA l (3Bcd ec dcBc l
I have not heard it referred to as another setting of the Merry Blacksmith (despite the obvious similarities). I was hoping it had another name
It’s great to play if you want to confuse people at sessions.
Good going! You got closer than me; I treated the d, and then the d & A, as a pickup – but it kind of went pear-shaped at the triplet. Came up with a couple of interesting things, though , which kind of got me wondering about slicing and dicing a few sets of ABCs by shifting a letter one way or the other, just to see what happens …
The only reason I’m thinking of it as a setting (it may indeed be considered as a separate tune in its own right, but I’m unaware of it), is that there is ample leeway to back up the more usual ABde f2ed Beed egfe run in B minor and thence to G for backup variation’s sake. With that in mind, the implied E minor in your version would make for a nice, tasty spinoff-type variation surprise. Could be, anyway.
I love doing that, the slicing and dicing. I came up with a whole new jig by shifting Rakes of Kildare down a step to Gmaj. Every now and then I’ll play it at a session, and everyone’s playing blithely along with a fair degree of success and wondering why they know it. Then I tell 'em it’s “The Lawnmowers of Kildare”, and of course I have to dodge a rain of thrown objects (and YES, it’s a conscious bollixing of the real meaning of “rakes”. I know what I’m doing. So there.).
Maybe I’m not the first to have done it, but I’m the first that I know of. So, fly away, little Lawnmowers of Kildare jig!! Fly away. Spread the love to all sessions in the land.
Here’s the bones to it (Cnat and F#, of course):
ll: DGG GFG ABc d2e l fff dfd cAG FED l DGG GFG ABc d2e l fed cAF G3 G3 :ll
ll: gdg gdg gdg a2g l fff dfd cAG FAd l gdg gdg gdg a2g l fed cAF G3 G3 :ll
Confound and piss off your friends at a session near you.
No, don’t thank me. Playing The Lawnmowers will probably wind you up in the hospital. And please don’t try to come up with a cleverer name for it. It’s already been tried, and there just IS none better.
There’s a tune - the second tune after The Boys of the Lough in a classic Sligo set that goes all the way back to Michael Coleman - that’s called The Devils of Dublin. It’s basically a nicer version of The Merry Blacksmith. Perhaps it’s the tune you have here. You can hear this set played on quite a few recordings, among them Peter Horan and Fred Finn’s classic album and Catherine McEvoy’s first CD.
Now John’s got me curious, so I’m scratching out the Devils of Dublin as I remember us playing it. (I’ll probably regret this later when I go look it up, but for now …) And … it is fiendishly close the The Merry Blacksmith; I remember getting the B parts mixed up a lot.
Ahhh, I used to love that tune; we need to get it out again. Thanks, John!
NB: I’ve literally written this down from memory; no MIDI or anything here at work to check it. I eyeballed it in dot form in the Tune-O-Tron and it looked OK for a five-minute job but I wouldn’t take it as gospel. Finally, I threw the sort of ornamented versions in the the second halves of the A & B parts; we used to play it simple the first time thru & more busy the second time thru each part. So apologies for any lameness (and I’m sure there’s much!)
X:1
T:The Devils of Dublin
S:Flute Styles for Suki and Somewheres Else, I Can’t Recall (The Mountain Road/Music of South Sligo recording, maybe?)
M:C
K:DMaj
|dcBA BAFB | AFBF AFEF | A~d3 Adfd | (3efe df e~B3| d2dA BAFB | ABdA BAFB ABde|fdec dBAG|F~D3:|| a2ag ~f2fe | ~d2dA BAFA | ABde fded | Beed ~e2 fg| abag fafe | defA BAFA | ABde fded | dBAG FA ~F2:||
Duh, Cath, could have just looked it up on JC’s … Oh well, it was a good exercise and definitely more fun that writing ads for hysterectomies and prostate surgery (which I get to go do now as I’ve fannied about long enough)!
Did I hear that tune on one of the cds made by Gerry Harrington / Eoghan O’ Suilleabhain / Paul De Grae. - Sceal Eile or The Smokey Chimney? Thats what came to my mind when I lilted the abcs.