Goderich this weekend.

The Celtic festival in Goderich Ontario is this weekend. I don’t know how much whistle activity there will be but the Reid/Taheny band is going to play. Loretto Reid will play some whistle-also some flute and accordion. Excellent musicians. I heard James Fagen and Nancy Kerr last weekend and they will be there too. No whistles but truly excellent singing and playing. It’s not a big festival for jamming but I will be there bouzouki and whistle in hand hanging around either the uilleann pipes booth or Peter Cox’s fretted instruments booth when I’m not listening to something.

Steve

Steve…sorry I missed meeting you…I went to the ‘College’ before the festival…following is a brief account which some new to this sort of thing might appreciate…just my perceptions of a fine affair…


I was at ‘Celtic College’ which is a summer music program that precedes the Celtic Roots Festival in Goderich. It was for me truly am amazing experience…sort of Celtic music immersion for four days and five nights.

There were people there from all over Canada and the US.

The staff formed a great gatherings of top class Celtic players . Apparently they come back year after year , not for the money they are paid, but each because the others come and they have the opportunity to make music together. Listening to them at sessions …WOW…I will likely never hear such session music again unless I go back there…which I will for sure!

There were, amongst many others…
Tony McManus from Scotland, touted as the world’s top Celtic guitar player, and a very funny fellow to boot. He did a piece, I believe it was called something like ‘Dirge for the Bagpipes’ and I swear you could hear the pipes in his guitar playing! It blew me away. I have since come unblown lol. I bought his CD.

Nancy Kerr from England with James Fagan, part of the famous Aussie ‘Fagan family’…maybe some of you Aussies know of him. As a couple and apart they are fantastic…I took a harmony singing class from them…fabulous! And two of the nicest people you could meet. I bought their CD.

Brian Pickell…considered to be the best writers of fiddle tunes in Canada.
I bought his CD.

Sean Keane from Ireland..apparently a leading singer in Ireland of traditional music…he also sings other genres too. A brilliant wit to boot. I bought 2 of his Cds.

Archie Fisher from Scotland…he was teaching songwriting…I wish I had been in his class just for the lyrics part…a brilliant fellow and another great wit…he was to do a workshop on the weekend with Bobby Watt. (Note how I am attracted to the witty ones!). He didn’t have a CD, more the shame, or I would have bought it.

Patrick Orceau and Gearoid hAllmhurain..Patrick is an outstanding fiddler and Gearoid not only plays concertina (they have CDs together) but he teaches Gaelic and the history of Irish music..those in his classes raved about him. I bought their CD.

(By now you will have figured that I blew the bank on new CDs!)

The Irish band Providence…four of them were teaching here.

The list could go on and on…what was really neat was that the staff folk were, to a person, totally down to earth and willing to spend time with the students. I was particularly fond of Patrick Orceau and Sean Keane..they are what are referred to in Ireland as ‘gaes men’…that is particularly fun, engaging and witty people to be with.
The days were fantastic ( I am fast running out of superlatives here). I went to whistle classes with Loretto Reid, (from County Sligo by way of Toronto) and Troy Bannon (what a sweetie!) of Providence. Both were very fine teachers as well as great musicians. I plan to take classes with Loretto back in Toronto…she plays in a different style than my current teacher and I think I can now benefit by being exposed to both styles. She taught me how to do the gentlest vibratto…I am so thrilled with it I just keep doing it. Loretto, apparently, is a friend and cohort of a fellow named Thomas O’Riordan who now lives in Indiana. He is one of the worlds best whistlemakers and there is two year wait for his whistles. I had put my name on the waiting list, but since Mr. O’Riordon is now about 74 years old, he would not promise me that I would ever get a whistle. But he did say that he had sent along four whistles to Loretto which would be for sale. I GOT ONE!!! I am thrilled to pieces, I fell in love with it with the first note I played. It has a wonderful bell-like quality that my words cannot describe. Now I just have to learn to do it justice! I also took a Celidh dancing class…each class was worth one soaked T shirt,glad I took plenty with me. And just to make the days even better, they had a group of Irish cooks who catered…fabulous food in the cafeteria.

But it was the evenings that blew me away, (and from those I am still not quite unblown) . Each evening three or four of the teaching staff would put on a concert…just think…concerts by top Celtic players every night…then following that there were sessions (slow and fast) singing gatherings, and ceilidhs. Also further sessions in the pub down the road. The energy was pervasive…one would have to be dead in the soul not to get caught up in it.

I have rambled on enough…I came back exhausted…but energized, inspired , and high as a kite.

I cannot recommend this experience enough to anyone who loves Celtic music…and it is not just music..there is cooking, crafts…all kinds of things. And all for $ 375 Cdn…an amazing value.

I am now listening to one of the 8 CDs I bought…and it is so great because they are all from people I met and came to like. This is so special.

Ooops…I believe that is PAtrick O’Riordan.

Wow, Lizzie! That sounds like a fantastic week, alright. I’d love to do that next year. Is there a web sight to find out about the next one?

Blackbird, there sure is…right now it is the site for 2002…if I recall from last year the info for the current year went up some time around March. I suggest you email and ask to get on their mailing list for the program. I believe they limit the numbers of students to about 300. There were 53 instructors.

One thing you do have to do is book accomodation early as there is not too much in that small town…a lovely town by the way, right on Lake Huron. If you decide you want to go, you can email me privately and I can fill you in a bit on that end.

http://www.CelticFestival.ca/

On 2002-08-08 10:12, SteveK wrote:
The Celtic festival in Goderich Ontario is this weekend. I don’t know how much whistle activity there will be but the Reid/Taheny band is going to play. Loretto Reid will play some whistle-also some flute and accordion. Excellent musicians. I heard James Fagen and Nancy Kerr last weekend and they will be there too. No whistles but truly excellent singing and playing. It’s not a big festival for jamming but I will be there bouzouki and whistle in hand hanging around either the uilleann pipes booth or Peter Cox’s fretted instruments booth when I’m not listening to something.

Steve

I’m sorry I didn’t see this message until I got back. Guess I missed you, unless you were one of the musicians whose name I didn’t catch.

I was there for the entire week too. An amazing amount of top-notch music.

Loretto played a stunning set with Pigeon on the Gate and a three-part version of Star of Munster Friday night on the main stage.

I’m curious about your jamming comment. It’s true there isn’t much during the day, just from simple lack of a venue. But the evening sessions are wonderful, and run into the wee hours.

Colomon..I think Steve meant there was not much jammimg at the festival per se.

I must have met you, cause it seems I met a lot of folks from Ann Arbour!

Are you going back next year?

What classes did you take and what did you think of them?

Then I probably did meet you and simply didn’t catch your name. (or have forgotten it – I’m terrible with names. have trouble remembering my own at times. (seriously, though thankfully not that often.) many apologies.)

I am certainly going back next year.

Let’s see, I took:
Tune Writing (Brian Pickell) – lots of encouragement and personal attention. it didn’t seem like it had much in the way of the nuts and bolts of tune writing, but I think I may have instinctively avoided most of the traps he was guiding people around. I came out of the class with a nice new tune I’m very pleased with.

Newfoundland Tunes (Christina Smith and Frank Maher) – lots of great music in this class. I loved all the tunes we worked on.

Sligo Tunes (Loretto Reid) – I was a bit disappointed that this turned out to be more “Sligo style” than “Sligo tunes” – no actual tunes were taught. Though now that I think of it, that really probably made more sense. We went over both the Boys of Ballisodare set and the Tarbolten set. I’ll be studying the recordings I made of her playing them for quite a while, I think.

Advanced Whistle (Loretto Reid) – sort of a continuation of the Sligo class without the Sligo theme, if that makes any sense. More of a “this is what a whistler could do” rather than “this is what a Sligo player might do”.