FS: Oz high D in gidgee and bronze, with box

FS: Late 2015 Oz high D in gidgee and bronze, with box.
Played in and oiled properly, but not heavily used.
Never used without a mouthpiece patch.

It’s a fantastic whistle, but I come from a tenor sax w/Brecker mouthpiece, so the Cheiftain blackwood is a much more appropriate animal for me now that I know about them.

I’m in Manchester and would like to recover the cost of the whistle, which was £275 inc. postage plus whatever import charges I can’t remember, probably about £50.

£300 should do.

Viewing is welcome for anyone actually considering buying it.

Coffinman@gmail.com

Sorry guys I changed my mind.

It’s too good to sell, I’ll sell my amp instead.

I do not have WHOAD. I only have 4 whistles atm, and one of those is a low D. the custom will make 5 (excepting the Bb in the car).

Come on, Damien, WHOAD is nothing to be ashamed of!
We all know that feeling … :smiley:

Cheers
Claus

The thing is that non-whistlers may accuse people of having wistles they don’t need (assuming they are not collectors).
Now if you suffer from HTPTA then you can shut those people up (HTPTA = having to play them all in a row each time).
If you are a collector then you can buy any whistle can’t you?
I could say I only have two here really atm, a Blackbird and an Oz. The other two here are Becker plastic whistles, a high and a low, which are used for practice (they are quiet) and for letting grandkids run round with, I don’t consider them to be performance standard instruments, though that is only because of the sound quality, they play surprisingly well, easy and faultless in fact. Maybe their lack of back pressure might limit your range to high F# or something. If you can play like that.
I ordered the blackwood anyway.
The only other one I will want now is an MK Pro once I have mastered the Becker low D.

Of course I believe WHOAD to be wildley misdiagnosed.
Many people believed to have WHOAD are actually carrying out experimentation through successive instruments in order to find one that plays well and sounds the way they want. They can never be certain so they keep them as they go along. And this can be true with cheap or expensive instruments.