flute head's cork piece inside

Hi folks,
“Sorry!” in advance if this has been discussed before, but I simply don’t know what to search for, so I ask… (and of course sorry for that silly topic title…)

I have a self-made flute of plumwood with a brass tuning slide. The flute was made by me with guidance of Andreas Rogge, and he did all the fine-tuning stuff, too.

When playing at a session the other day (first with that flute), I noticed that the G and especially A and B of the 2nd octave are way too sharp. But those notes are in tune in the first octave. So I thought the rounded piece of cork in the headpiece could be responsible for that. I pressed it to the foot a little bit, and nothing happened. Then i pressed it up again, and nothing happened. I pressed it up more, and now the second octave is better in-tune.

So my question is:
What is the exact acoustical function of that piece of cork, and is it really responsible for the 2nd octave’s tuning? What else can I influence with it’s position?

Thanks in advance & greetings,
G.


PS: I know that metal flutes have this “cork piece”, too, in form of a high-tec metal screw and all that, and my flute teacher told me to “never-ever do anything to that screw!!!” :wink:

If your octaves are narrow, try pushing the cork in a little. If they are wide, pull it out.

The long answer

More that you wanted to know.

If both the head and the body are cylindrical, it’s simply normal for the octaves to be out of tune. There are several solutions.

– Don

The head is cylindrical (cause of the tuning slide), the rest of the bore is tapered.

Thanks for the links!

Sorry to ask the moronic question:
what’s it for the octaves to be too narrow?
What’s it for them to be too wide?

Thanks.

If you tune to the bottom octave and the top is:
flat = close
sharp = wide