Nice pics Claus. Very interesting.
Two absolutely gorgeous flutes if you ask me. I’m thinking about getting a Bb flute quite soon. How is the air demand compaired to the concert pitch flute?
Henke, air demand is pretty much the same as on the D. To get it rocking, you can use a bit more pressure if you wish. Interestingly, to me the Bb seems more forgiving (embouchure-wise) than the D. I would have never expected that.
Yeah, it’s the sound, definitely. Lower pitch flutes have a little something in their tone which is hard to explain. C is nice too, but Bb is probably as low as you can go on a conical wooden flute. Like many others, I got hooked to that sound after listening to Matt Molloy’s Heathery Breeze album.
Bb sessions aren’t that uncommon I think. I am fortunate enough to have a fine piper who owns a Bb full set living nearby. We had a session just last weekend together with a fiddle player and a bodhranista. It was magic! There was something pleasantly eerie about it. Like diving into a different world… smooth and … ok, I’ll stop now…
Actually, I did play a flute in A once. Any lower than that, and you’d need Rachmaninoff hands to reach the holes…
Lovely looking flutes, by the way.
Anybody know what Tom Aebi’s waiting list is like these days?
I’d love to get a new 6-key (R&R style) AND some regulators for my uilleann pipes, AND a full set of pipes in C but I can’t decide which one I want most. I suppose since I can’t afford any of them, I might as well say that I’ll get them all…
Well I’ve heard and I understand, if by that you mean hear something special about them, but I think this is a sensible question and I wish I could give a better answer. Flat pitch pipes in various keys each have their own special feel, but I wouldn’t single out one key as especially great, except of course that a particular key might just speak to you in a way that no other does.