Ah . . . Londonderry Air – It’s been a favorite melody of mine since I learned it as a French horn solo for state competition in junior high school some decades ago. I’d been playing French horn for about three months, so you can imagine what it must have sounded like. And for some reason, even though sometimes I can’t remember what I did yesterday or where I put my glasses, I can still remember that music and can still see it there on the page.
Although the French horn was laid aside aftert high school, I can still fake the tune on the piano, and play it on a harmonica, so when I got a whistle a month or so back, I had to piddle around until I figured out where it lived on a D Sweetone. There immediately followed the following conversation at my house:
mrs.gonzo – “I never thought I’d have to make this rule, but there will be no more ‘Danny Boy’ in the house.”
gonzo – “That wasn’t ‘Danny Boy’; that was ‘Londonderry Air.’ It’s only ‘Danny Boy’ if you sing it”
mrs. gonzo (who did not appreciate the value of this distinction) – “Well, no more ‘Londonderry Air’ in the house, either”
The problem, you see, is that the range of this piece is too much to play it in the 6-finger key (D on a D whistle), so you have to play it in the 3-finger major key (G). This results in a sustained 1-finger, second octave high note that, in the hands of an inexperienced whistler, can cause the aquarium to fog, the windows to shake, the paint to peel, and the pictures to fall off the wall, and makes the children cry as well. I’m pretty sure that if one was doing this at work, there would be an OSHA regulartion requiring hearing protection for both the whistler and anyone else in the building.
So until I get better at it and can hit that high note without causing the circuit breakers to trip, I now have a lawn chair set up in the garage that’s there just for playing this piece. And this I offer this suggestion – it sounds much better on a low whistle.