Hmmm. Minuet in G, that’s a good idea. I’ll have to pull out my husband’s copy of dear Anna Magdelena and have a look at that, and browse for other goodies.
FWWIW, Chris Norman does an incredible version of “The Irish Hohane (sp?)” from the Fitzwilliam Virginal Book on the Baltimore Consort’s “Tunes from the Attic” CD.
There is a lovely song from The Magic Flute,
sung by Papageno and the beloved of his friend,
about the nature of love. That’s great on
the Irish flute.
Stravinsky’s Sarabande is something i’ve
tried to do on keyed flute, but I no longer
seem tohave a recording.
Bach Eb Flute Sonata. Play it in D unless you want yer head to hurt.
Mouret’s Rondeau
Handel Water Music - pick a movement.
Themes from Gustav Holst’s Eb Suite and F Suite for military band. They’re all good.
Nearer My God To Thee. Especially fun on cruise ships.
Prokofiev - Lt. Kidje - the sleigh-ride theme. Also good if you’re a fan of Russian cinema.
Jesu Joy (leave out the squirellier bits if you need to). Make note of anyone who sinks along in the chorus, and avoid them.
Oh, heck - just grab a wedding-music fakebook. Not the flute ones (cruddy keys) but maybe mandolin or folk-harp. Mine is a mandolin and guitar book (Mel Bay, I think…) and it’s great.
Terry McGee has a nice list on his site. He also has a lovely recipe for braised kangaroo in a white wine reduction, if you look hard enough.
added: Just went through my book…
Bach Dm Menuet - a workout on an 8-key
Purcell / Clark Trumpet Voluntary
Jerusalem - you’ll have to beat away the little old ladies with a stick
This is a compendium of Noteworthy Composer notation files, mostly classical. If you use the free Noteworthy program (not just the viewer program) you can change keys, delete unwanted staves, etc, and print the tunes out. You just can’t save them.
The full version of NWC is cheap - $30, I think - and is really useful.
BTW, there’s the complete Allans Irish Fiddler and O’Neil’s in NWC format at
“And did those feet in ancient tiiiiiiiiiiiiiiiiiimes…”
I LOVE it!!!
That reminds me of a funny story. I live in Portland, OR, home of great coffee, Tonya Harding, and a huge gaggle of hipper-than-thou-erudite-snappy-dressing-indie-rockers. A couple of years ago, a friend was playing a show and halfway through her set of erudite, tuneful indie rock, she suddenly belted out a searing rendition of “Jerusalem” a capella. The crowd of bespectacled, ironic-t-shirt-wearing-hipsters in the audience were completely stunned into silence…It was beautiful.
I know Vivaldi wrote scads of chunes for flute, oboe, and violin all in D…Would be more kosher on a baroque flute, I suppose, but go for it!
Sarabande from Suite #4?
They take a lot of arranging - very idiomatic for strings. I used to do Suite #4 on baritone saxophone (even did part for my 4th year university jury). Not for the unmotivated.
The best Vivaldis are the duo concerti. Not too hard, good ranges, written for schoolkids, albeit very talented schoolkids.