I spent most of yesterday listening to the various sound clips on tinwhistletunes.com and that of course steered me in the right direction as to what whistles I may want now, and what to shoot for later if I stick with it.
There were some excellent recordings of the Susato Low D. It has a very haunting quality however it doesn’t sound Irishy enough… it sounds a bit spready, more of an Asian flute/recorder sound, more mellow and dark, and would be something I would expect more out of a new age recording or relaxation CD rather than an Irish ensemble or pub environment. Though, I can tell they would be great for larger situations that need volume and they record very well; I’m sure my church sound crew would just drool. I like the Susato sound because it’s darker; and that’s probably because I have that ‘dark’ clarinet tone in my head.
If I went with the Low D Susato set from The Whistle Shop, that would run me $128. If I go with the Kerry Low D, now we’re talkin $154. The money I would save going with the Susato would enable me to buy some other whistles now. When I am ready for a more professional Low D I will go with the Overton…LOVE that sound! So right now I need to decide between which Low D to go with, the Kerry or the Susato. I am leaning towards the Susato and here’s why: From what I heard, the Kerry and the Overtons sound pretty darn close in basic core sound whereas the Susato has a very different quality. It might be nice to have a Susato and Overton in my collection since they are so contrasting. Secondly, the Susato is a little cheaper which I need. Thirdly, my first time performing with it would be in church and non-Irish settings. I just didn’t want to be shot if I entered an Irish pub with a Susato hee hee.
My soprano decisions are getting…out of hand:) I read the Wanderer’s review of Freeman’s tweaked Shaw D and listened. It definitely sounds like it has the muscle to cut through praise band.
So my semi-step up beginner D’s are:
Tweaked Shaw D, Tweaked Mellow Dog, Tweaked Sweetone,
Thought about getting some regulars: Clark Original D, Feadog Brass, not sure if I should get a nontweaked Sweetone. Wondering if the two are really all that different. That is where I am struggling the most, with the Clarkes. There are non-tweaked and tweaked versions of both the Original and the Sweetone. I really don’t want to buy them all.
Other keys:
C: Not sure if I should go with Clark Original C or the Sweetone C
Bb: was just gonna go with a Generation
Eb: was gonna go with a Generation
My church band does alot of Eb & Bb so I figured I should just have ‘something’ in case I need them.
I’m amazed how good some nontweaked cheapy whistles sound!
Down the road though, I would like a Burke for my soprano D.
I plan on going with Grey Larsen’s Essential Guide, McCullough’s Complete Guide, The Fiddler’s Fakebook, Irelands Best Session Tunes, all of which I found online cheaper than retail.
I figure I will spend about $300-350 US on everything. I am in the process of selling a plastic clarinet to a student and I may try to unload my student piccolo. I have other house crap to sell:) I really do need to get rid of some stuff before I spend all this money on whistles! Perhaps WhOA will give me the motivation to get rid of some stuff in order to ‘earn’ my whistles 