This was an article in today’s Chicago Tribune: the url is at http://www.chicagotribune.com/services/site/premium/access-registered.intercept but you have to logon to read the story.
According to the author, Marilyn Ward, a lot of kids are more familiar with the top 40 than with songs like Old MacDonald. Quoting 7 year old Shawna Bramlett, age 7, “I listen to nothing but the top 40. Eninem really speaks to me. Old music is for old people.”
Ward did a survey last spring, looking at the use of traditional children’s songs in public school curriculum. Some of the replies from music teachers were “My school is low socio-economic, so I teach only pop music.” “Our curriculum is multi-cultural. We do not teach songs of the American culture.” “These songs aren’t in my textbooks, so I don’t teach them.” Teachers also thought that about 5% to 15% of their students could sing from memory songs such as “Twinkle, Twinkle Little Star,” “Home on the Range,” or “The Farmer in the Dell.”
Although it’s certainly a good thing to incorporate children’s songs from other cultures, Ward raises a note of concern over the encroachment of popular culture into what young children are being raised on. Ward quotes Diane Kresh, director of Public Service Collections in the Library of Congress:
Teaching traditional songs in school allows children, at an early
age, to discover and explore who we are as a nation, our roots
and development. Traditional songs reflect who we are and
where we came from, the cultures that influenced us, our
feelings about what it means to be an American, the small
details of everyday life and customs, our industries and
agricultural heritage, the romance of the West, and the
pioneering spirit that moved us to cross mountains in covered
wagons to build new lives and communities.
According to Ward, “Without taking deliberate steps to preserve them (i.e., traditional songs), educators and musicologists believe, it won’t be long before these kinds of musical and cultural ties to the past disappear.” Quoting John Feierabend, chair of the music education division of the Hartt School of the University of Hartford in Connecticut, “As a country becomes more commercially centered, it loses some of its respect of its heritage. Some Europeans refer to our culture as the ‘Coca-Cola’ culture: All things are commercialized.”
As I read this article, I thought of how easy it would be to introduce the tin whistle to music education in primary schools, and how so many of the available tutorials have a number of children’s songs that are easy to learn and play. The Generation G whistle would work well – inexpensive and just the right size for small hands. Bill Och’s tutorial would be ideal for U.S.A. schools since it incorporates a number of American traditional songs. The Mel Bay tutorial also has a number of easy songs familiar to this country.
Last year I talked with our daughter’s kindergarten teacher about this idea, using the tin whistle in early children’s music education. She was very interested, wanted to know more about the Ochs tutorial, and all the kids wanted to try the Generation G whistle I had with me. I think if I really want to push this idea, I should show the Tribune article to the school principle and then talk about the whistle. Think I’ll do this once school break is over . . .
Any parents on this list who like this idea? Let’s start a whistle revolution!
– Dan M.