I have a whistle student at summer camp who insists on writing the numbers for fingerings: 1 is B, 2 is A, and so on until 6. Notation is just another step in the way at best, but at least that system was hard to argue.
I’ve never thought of calling it either a B finger, or a C# finger.
Now I’ll never know if I’m being insulted by being given the A finger or whether it’s the B finger instead.
The set is really nice - but I wish she would have named the tracks CD1-1, CD1-2 and so on (or A1, A2… / B1, B2… or something like that)…
When you want to hear - for example - track 71, you need CD2 and then you have to count; so you click forward on your CD-player to play ‘CD track 71’ as track 26 (or something)…
A minor thing but it could have been “corrected” easily… Maybe it’s just me
I’ve run into this before. But what I generally do is immediately rip the contents of the CDs to my computer anyway. Then, if I’m so inclined, I can rename the tracks. I practice from the computer rather than the CDs, but if you prefer, you can always burn new ones with the revised names.
[size=24]INDEX OF TUNES IN THE Flute tutor by June McCormack [/size]
SINGLE JIGS
Off She Goes
Larry Mc Donagh’s
POLKAS
3. Tripping to the Well
4. Memories of Ballymote
5 My Love is But a Lassie
6 The Dark Lady Dressed in Blue
BARNDANCES
7 Lucy Farr’s
8 The Hills of Tara
9 The New Broom
10 Tara Diamond’s
11 James Gannon’s
12 Mc Dermott’s
MARCHES
13 The Deer’s March,
14 O Sullivan’s Clan March
15 Maguire’s Clan March
JIGS
16 Cuigiú Lassies
17 Tommy Mulhaire’s Jig
18 An Rogaire Dubh
19 John Mc Hugh’s
20 Out in the Ocean
21 The Killavil Jig
22 The Haunted House
23 Billy McCormack’s
24 Trip to Athlone
25 Princess Nancy
26 Cailleach an Airgid
27 The Legacy
28 Willie Coleman’s Jig
29 The Green Fields of Woodford
SLIP JIGS
30. Hunting the Hare
31. Talamh an Éisc
32. Gort na Móna
33. Tír Rafartaigh
HORNPIPES
34. The Good Natured Man
35. Mrs. Galvin’s
36. Boneparte Crossing the Rhine
37. McGivney’s Fancy
38. Kilcooley Wood
39. The Pleasures of Hope
40. The Bird’s Hornpipe
41. The Buck from the Mountain
42. The Happy Hornpipe
43. Tuamgrainey Castle
REELS
44. The Peeler’s Jacket
45. Rollling in the Ryegrass
46. The Mills are Grinding
47. McGovern’s Favourite
48. The Torn Jacket
49. The Hare’s Paw
50. Fr.Grady’s Visit to Bocca
51. The Chattering Magpies
52. Feeding the Birds
53. The Master’s Return
54. The Trip to Birmingham
55. Salute to Baltimore
56. The Old Blackthorn
57. The Limestone Rock
58. Tommy Whelan’s Reel
59. Colonel Rodger’s Favourite
60. The Happy Days of Youth
61. The Caucaus Reel
62. The Letrim Bucks
AIRS
63. Na Maithe Móra
64. Aghaidh Jhanuis[size=18][/size][size=18][/size]
Hi all,
Where did you find this tutorial? I’ve tried amazon.com and sheetmusic and no info on them. Need a couple of good tutorials on the irish flute.
Thanks.
Donn
Whoops, sorry about the double-post. Things weren’t moving there for a few minutes, and I hit send again. Anyway, it’s a great set. It’ll keep me busy for a LONG time!
I’m enjoying working with this! I especially like the selection of tunes here. June has chosen ones that are really great flute tunes.
I find so many tunes that make me wish I played fiddle, or concertina, something with a wider range. Or with that certain something that only another instrument can truly express. Here, though, are tunes that will have other players wishing they played the flute. They are gems!
The accompanying recording is terrific, too. Once through slowly, once up to speed. Lots of variations from the annotated sheet music, but that only opens up the possibilities. I didn’t find the explanations confusing in terms of how she describes the fingering, but I wasn’t coming into it green either.
I’d second the enthusiastic comments so far. Great tone, simple explanations, nice tunes, and there is a lot more to listen to than to get from the dots, which is itself revealing. I am also finding it very helpful for one of my big issues, knowing when to breathe. In that respect I fall in the group identified by John Kerr who are used to playing long phrases, and run out of air toward the end, rather than playing short phrases. I am really struck by how often she breathes, and how every note is strong.
I’ve send money my money in an envelope 'round sept 10,
i didn’t try to contact her, the tutor arrived this morning. But maybe you should give them a ring now.