Recently while browsing the forums I saw an interesting signature tagged onto a fellow forum member’s postings:
“Why race along flinging frozen skeletons to and fro when you could be sipping and savoring necter at the banquet table?”
-Grey Larsen, in The Essential Guide.
What do you suppose this means? Personally I like sipping nectar from frozen skeletons..
[Edited to fix the quote box and to state why I edited]
When I read that quote,I thought that it might have something to do with the modern approach of playing tunes at sub-light speed-why not play like some of the ‘Old Geezers’,taking things at a more sedate pace and savour the beauty of the tune?
I’ve never heard mr Larson play,so I don’t know what his personal playing style is like.
That quote makes a little more sense in the context of the paragraph in which it was written:
We all want to be able to play fast, but it is more important to play well and beautifully. What is the point of playing poorly at a fast pace? Having reached this point in the book you know extremely well that Irish music is vastly more than a simple succession of notes. What you see in tune books are simply frozen skeletons of snapshops of settings of tunes, some a bit more fleshed out than others. Why race along flinging frozen skeletons to and fro when you could be sipping and savoring nectar at the banquet table?
What exactly is the point of slagging off a fellow devotee/forumite? There’s enough crap music floating around that we don;t need to turn on “our own.”
Yes, I do find that kind of strange especially since one of the key points that Grey Larsen mentions in his book “The Essential Guide to Irish Flute and Tin Whistle” is listening as much as possible to the recordings/perfomances of the older players to absorb it and really understand the tradition. Seems like I’ve heard that from someone before.
Lots of the young musicians I know, like the young drivers I know, enjoy speeding just to impress people. My daughter will start a tune on her fiddle way to fast to ever maintain the tempo, because she thinks it sounds more accomplished (I’m assuming; I haven’t asked) and because it’s one mark of progress that’s fairly easy to measure.
Lately I’m really enjoying slower, more intimate ambles with tunes. I wouldn’t call it nectar-sipping exactly- I’m gasping for air still. While I stand in awe of those who can rip off reels at lightning speed, I truly appreciate other styles. Less adrenalin, more maturity.
Well Jack, I wasn’t upset, but I did take your post as one of those jokes that had serious overtones to it. Sorry if it wasn’t meant that way. A lot was going for work while I was doing this. I’m sure this is just an example of misunderstanding built into this type of communication.