Adventure with a Walton's Brass High-D

The first two whistles I got were a Walton nickel High-C and a brass High-D because they were the cheapest I could find and I wasn’t really sure I could (or wanted) to do this.

The C seemed ok - pretty easy to play and I could get to about G2 without too much squeaking and squawking and the tone wasn’t too bad - a little breathy perhaps, but a good start. But then I picked up the D - oh, dear. What a disaster! I couldn’t get a low note to save my life, the high notes squeaked, and it was totally impossible to tongue. I made arrangements to send it back to the dealer.

I packed it up for shipment, and just before I took it to UPS I thought, well, I’d try it just once more. Hmmmmmmmm…the low notes were there and notes above Octave D were hard to get but sounded nice when I did. The tonguing was still lousy. Then I noticed it was TUNEABLE!! Maybe it was a keeper after all. So I didn’t send it back - one of the better decisions I’ve ever made.

I’ve had to learn a new tonguing technique to play it, and it’s really touchy - but boy is it worth it! Somehow, I really lucked out on this one, and it’s probably a fluke. Not only is it tuneable (not advertised as such), but I can get dynamics out of it - from considerable volume to about 1/4 volume without losing the note. Since I like the slower tunes - airs and such - dynamics are a real plus.

The tonguing technique I had to learn: tonguing made the whistle sound sharp, so I had to soften it considerably. I have to hold the sides of my tongue lightly in my teeth to flatten it, and then use a very soft tongue - almost flat for the note. On my other Walton and Generations this doesn’t work too well, but it is perfect for the brass D.

Has anybody else lucked out like this? Except for it’s being higher than I like, it’s turned out to be a perfect instrument, and I am protecting it with my life. Best $8 I ever spent. It’s certainly not a beginner’s instrument but will, for sure, make a better whistler out of me.

Hey,

I have found that there are countless ways to blow into a whistle: teeth closed/opened, lips tight/loose, mouthpiece far into the mouth, etc. And then there are many ways to blow. It really depends on the whistle. My philosophy is to work more to make the whistle sound its best and not to just play it the way I feel it should be played. (Are we talking whistles, or people?) You can buy another Waltons and find that it responds differently. That is why there is WhOA. And that is why I have purchased around 6 or 7 Oak D whistles, because I have found them to work for me, a few better than the others. People are constantly looking for that perfect whistle. Then there is wax to drip into the whistle to fill up the space under the windway. That has always helped my low notes, but others will tell you that it lessens the low notes. Dale has a section on tweeking on the main site. JP

It’s so easy to find the perfect whistle: just get a Rose!
:smiley: :smiley: :smiley:

On 2002-03-16 14:15, claudine wrote:
It’s so easy to find the perfect whistle: just get a Rose!
:smiley: > > :smiley: > > :smiley:

“Let them eat cake.”

Hey JOHN thanks for the tip about the mouth closed thing. I was doing FINE with my clark but terrible on my Walton High D. I tried it with my teeth closed and low and behold IT SOUNDED GOOD. I would have NEVER thought of that.