I’m sorry, buddhu, but as an American citizen, I am extremely offended by the implication. I have never watched “Sex In The City.” (As I recall it was an HBO series, and under the Bush economy, I couldn’t afford HBO. Now “Three’s Company”…)
As an American who has done a fair amount of published biological realist, super-realist, illustrative work I have been familiar with Freud’s work for a long time as are a heck of a lot of other Americans who appreciate good art, especially realism. But Freud’s family history is all part of the package, it is inseparatable in spite of/or in addition to, his exceptional talent.
I have no idea why this particular painting is worth that much money.
One reason could be that it is an excellent work of art…
I don’t find the subject matter appealing(although I do love the title), but as someone who paints on occasion, I have great respect for the skill and talent involved.
Well, he’s a realist painter . . . what would you expect? It’s definitely arresting and has a depth that holds your interest. It’s very human.
What he does with the money is his darned business. Isn’t there some saying or other about removing the plank from one’s own eye before going on about the gnat in someone else’s?
I hope, though, that he does spend a bit of it on a new couch. Eww.
Actually “buddhu” do you know who sold, not the auction house, the work? Was it Freud or was the work owned by someone else? My late BIL’s work increased by easily 50% after his death but of course my sister owns very little of his work and none that she would sell. I can’t imagine Freud hung on to a piece that size since he finished it.
Investment purchase indeed.
I could not imagine having a painting like that in my living room
We went to see Freud’s exhibition here last winter.
Some of these canvasses are huge and like someone else mentioned the portraits are harsh at best. Walking through the gallery rooms was actually quite intimidating and fascinating at the same time.
In connection with the opening there was a documentary on danish tv about LF’s models and their experience of posing many many hours over months. Many of them described the process as a battles with whatever they were struggling with in their lives. They had only themselves and time during the posing. They made it sound like psychotherapy without the talking, which is funny, 'cause it’s Freud
My impression is that LF does not bother that much about cash, but I could be wrong…
How is he generally received over there? The works, I mean. Over here I think he’s generally well respected, even if much of his work gives some people a bit of a start. I mean, there are some of his paintings that I really wouldn’t want to meet in a dark alley…
I know the history is part of it, but I don’t think he’s ever ridden on that, and I don’t necessarily accept that it has a great bearing on his work.
For folks who appreciate realism his work is/has been well recieved. But in my family the “Great Art Schism” makes religious discussions positively tame so I know some folks who will say he is a great “draftsman.” An insult of the highest order, I say.
His family connection is comparable to the Wyeth family here, multiple talents, accomplished within their own fields. From an economic value point of view it is all part of a package, sorta like “patina”